A Quote by Vivek Oberoi
I can do very dramatic films, and at the same time, I can do a very meaningless movie, too, if I feel my role is good.
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I don't get many good offers. I like to follow the same kind of path I follow in France. If I don't feel the movie is very original or has a good amount of potential, I don't do it. In the films I've done I can feel I'm part of a specific universe, but those sorts of opportunities are quite rare.
I didn't want to make Young and Beautiful as very dramatic movie . In a certain way, I wanted to do a girly film. I wanted to make something sweet, pink. With a boy it was too dramatic and too heavy. I had a lot of pleasure with the boys in In the House, I said, "This time I will do a film with girls."
Whether it's a very dramatic part or a comical role, I feel I need to create the same thing: a full-fledged, three-dimensional character that the audience can identify with.
I recently finished a job, an HBO movie 'Getting On,' a very dark comedy. It comes from a British series of the same name. In this role I have no hair, no make up and no nails. I play a very small role; she is not over the top and sassy.
I don't know about "dream role." I do so many dramatic roles or period films or [play] traumatized people or stressed-out people or very intense things, high stakes happening all the time.
The joy of a road movie is its very simple narrative nature, which is that you know you're going to go through different places and you're going to meet new people. At the same time, you have to not make it feel too obvious and too crudely episodic.
You can play yourself and make a very good career out of it. Do the same type of role, the daring, good-looking, dashing kind of guy. I mean, there's a role for that guy in television, films, whatever. But people who are able to shape-shift and go from drama to comedy to whatever, there's an art to it. Especially in Hollywood.
It seems to me that [my films] are talking about very simple and, I hope, universal feelings. And at the same time, even though they are set in a very weird world with elements that are irrational, at the same time, it's very close to an ordinary world. And I like to have this third feeling of mystery.
I like doing Marathi films. I am not too keen on Hindi TV shows. It's very tough to get Hindi films, but if a good script and role comes up in future, I will surely pick it up.
To me to be a solo artist means I can do so many new and exciting things and I feel very strongly that one must evolve and grow. I love being a bass player and I feel really good that I was able to spend a focused chapter defining that role, but I'm not someone that likes being in the same role forever.
There are movies that we have done that haven't come out very well. That doesn't feel very good. But 'Jem' is in a different category. I'm proud of the movie. I stand by the movie, but I'm obviously sorry it didn't do any better.
With acting, it [auditioning] is very frustrating. I'm not very good at auditions. Sometimes I audition for a role and I'm like, I'd be really funny in that role, but I'm not good at auditions so I guess I'm not getting that role. It's a very frustrating job.
I think the culture today is very, very different from what it was in the '60s, and I feel lucky that I grew up at a time when I had these very strong female role models.
What I think is dreadful about art is the way it's related to the money afterward. Not when you do it... But after that, it's like 5,000 rich people have access to it. A movie, even though it can be a bad movie or a good movie, it is more democratic. The people who buy my films, the people who buy my installations it's sometimes a foundation or a museum. When it's a foundation, it's related to very, very, very rich people - who are your enemies! Your enemies are feeding you. But you're not meeting them. So it's a very strange thing.
'Crouching Tiger,' of course, was a very dramatic role for me, and the fighting was very serious.
I don't know why people feel that I am only interested in films, but I very much want to do fiction. My only prerequisite is a good role, something which satisfies the actor in me. If I get a good banner and a good channel, I would definitely do a daily soap.
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