A Quote by Vivek Oberoi

Yes, I do write poetry. It's very therapeutic. I'm influenced by Pablo Neruda and Gulzar Saab. It's all very personal. — © Vivek Oberoi
Yes, I do write poetry. It's very therapeutic. I'm influenced by Pablo Neruda and Gulzar Saab. It's all very personal.
Hay algo más tonto en la vida Que llamarse Pablo Neruda? (is there anything more insane in this life than being called Pablo Neruda?)
When I hit a block, regardless of what I am writing, what the subject matter is, or what's going on in the plot, I go back and I read Pablo Neruda's poetry. I don't actually speak Spanish, so I read it translation. But I always go back to Neruda. I don't know why, but it calms me, calms my brain.
Warhol was definitely an inspiration when I was younger. I wouldn't quantify his sort of influence. I've been influenced by nature and science, and I've been influenced by people like Ernst and Rauschenberg, Cornell and Bosch and Bruegel, by writers like Haruki Murakami to Pablo Neruda to Artaud.
My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.
One Christmas I had no money, and so I went home and just, like, wrote a poem; I mean, I didn't write them, but I just handed out poems as Christmas presents. Like, 'Here's a Pablo Neruda poem that really made me think of you.'
When people decide to talk publicly about poetry as an art form and how it's received, they often get very abject about it: "Nobody reads poetry," and then a thousand people write back, "No, we read poetry." There's an abundance of this negative preaching to the choir, and it's very similar to the experience I'm having.
My songwriting is very personal. The music that influenced me was so impactful that had I grown up somewhere else, I know I would still write the same way I do because of those influences.
Disinterring famous people has become a kind of sport in the Hispanic world. Before Cervantes, it happened to Evita, Che Guevara, Federico Garcia Lorca, and Pablo Neruda.
It's very much a piece of myself when I write a song. I don't mean to say it's very personal, like the lyrics mean something personal to me. When I write a song, that's my taste in music - my taste in chord progressions and melodies.
There is a kind of certainty that seems to characterize Jared Smith's best work, an understanding about place and the flow of spirit that makes you think of Thoreau along with a commitment as fierce as that of Pablo Neruda.
I think, in general, I find writing to be very therapeutic and singing in itself to be really therapeutic.
I'm 100 percent convinced that Pablo Escobar was a human being. And he was a very interesting one. For sure, he was a very, very, very mean and awful human being in many senses, but he wasn't an alien. He was a person. He had friends; people laughed at his jokes. And he was a very contradictory person as well.
I've had the good fortune to read a lot of great American writers in translation, and my absolute beloved, for me one of the greatest writers ever, is Mark Twain. Yes, yes, yes. And Whitman, from whom the whole of 20th-century poetry sprung up. Whitman was the origin of things, someone with a completely different outlook. But I think that he's the father of the new wave in the world's poetry which to this very day is hitting the shore.
Heartbreak has definitely been a big inspiration for me. You can write about a bad situation and just feel so much better afterwards. For me it's very therapeutic. But love in general - even when it's good - is always very inspiring.
This is going to sound nuts but it took me forever to figure out why I'd stopped writing poetry - I mean, I went about a decade where I wrote very little poetry and I thought it was because I was doing a weekly blog. And then when we moved, I reconfigured my writing desk. The previous one had had very little space to write by hand. And suddenly, the poetry was gushing!
Only the very weak-minded refuse to be influenced by literature and poetry.
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