A Quote by Vivek Oberoi
Acting is a state of being, and the camera can tell instantly if you're lying. But there are many different ways to approach that state of being. Each director has his own approach to the situation, and that's really interesting.
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It's really interesting to observe each filmmaker's approach to filmmaking and I feel very fortunate to have worked with a lot of really interesting filmmakers and they all approach their job in unique ways.
You want to mix acting styles correctly. People approach the work in different ways. You want to make sure no one wants to kill each other because the approach is different.
Different people approach the universe in different ways, but they also approach their own expectations in different ways.
Early on, someone had told me, 'You know, the camera can always tell when you're lying.' And, Jesus, that intimidated me. 'The camera can always tell? How am I going to do this?' Until one day I thought, 'Wait a minute, acting is lying. Acting is all about lying.'
When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn't want to give up being the DP, and really wanted to do both. And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman.
I approach film no differently than I approach a role. I want to make sure the movie is right, the characters are right, I can really bring something to it as a visionary, a storyteller. It's great to point a camera, but can you tell a story?
I can't imagine what it would be like to write in a relaxed state. I'm going to be writing some stories for my own interest. I want to experiment with different things and see if I can approach writing with much less control and in a better psychological state. It will be like breaking out of a straitjacket.
The thing I love about being a novelist is that with each project, you invent a new world. You approach it with a different set of aesthetic and structural ideas, and you grapple with a different series of problems in figuring out how to tell the story. And yet there are certain concerns that stay constant.
Smartness, a good appearance, courtesy, delicacy are not yet norms, are not yet an integral part of the approach of workers in the state apparatus, of their approach either to work or to dealing with the public.
I think a large part of being human centers on the state of being alone, and we try to mitigate that in so many ways.
Being the best was as equal to being in the middle, which was equal to being the worst. All were merely a state of being. It was how a person felt in that state and why they were in that state that was the important thing.
It's different being a director. I suppose, especially if it's a story you've written and you feel compelled to tell, in some ways it's a lot easier than acting because you're orchestrating the piece. As an actor, sometimes you're trying to second-guess what people want.
We need to approach the Bible each day with a spirit of deep humility, recognizing that our understanding of spiritual truth is at best incomplete and to some extent inaccurate ... we should approach the Scriptures in humility and expect the Spirit to humble us even further as we continue being taught by Him from His Word.
Ordinary people, even weak people, can do extraordinary things through temporary courage generated by a situation. But the person of character does not need the situation to generate his courage. It is a part of his being and a standard approach to all life's challenges.
There are so many different ways, most of them helpful and legal, to get yourself into a state of mind where writing is possible. It's going to be different for each person.
Well every moment, every project is different. I took a very slow approach to acting, trying to really work with people I could learn from. And I got something different out of each experience.
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