A Quote by Vivek Oberoi

If you go to see a film with a woman you love, then even if the film is bad, you can hold hands and laugh at it. — © Vivek Oberoi
If you go to see a film with a woman you love, then even if the film is bad, you can hold hands and laugh at it.
Rain Man certainly didn't test really well. If you look at it carefully, you have a disease autism they didn't understand back then, they didn't know in the test audience whether it's okay to laugh or not laugh, because it's a film that's done in a way where, "Well, maybe I'm not supposed to laugh." At the end of the film, Dustin Hoffman gets on the train and doesn't even acknowledge his brother. Not even a glance, nothing. That's why the studio said, "Can't you just have him look at Tom Cruise at the end of the film?"
I'd love to do an action film. I'd love to do a film based on a book series; I love to read the book and then go see the movie. I'd love to have a show on Disney; I love working for them. And I'm also working on getting some new music out of my own.
The timing of comedy is so difficult. You've got to leave room for a laugh, you don't want to kill the laugh, but on film, you can't just suddenly stop for a laugh and then carry on. So, I think it's a real art form, comedy on film.
NYU Film School was the way to learn about film, to be exposed to film, to go to repertory houses, to be exposed to New York and see films. I would go to the library and see one, two or three movies a day.
When I'm doing theatre, I feel like my life's on hold. Even though you might go out for a coffee, or go and see a film, your brain is still there, pulling you back to it.
A film is a great deal about what you see, and the silhouette of a character tells you a lot. I'd love to go into film costume.
"Fish Tank" [my favorite woman-directed film] by Andrea Arnold. The film is so beautifully shot, and I love the raw energy of Katie Jarvis, who plays the main character, Mia. She is not a professional actress and she provides the film with a sense of realism. To me, the film feels so complete and superior.
I didn't see myself as a woman doing film but as a radical film-maker who was a woman.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
('Eraserhead') may seem like a dark film, but my father and I watch it, and all we do is laugh. It was Disneyland everyday on the set. That's when I fell in love with film.
I'm very troubled when editors oblige their film critics to read the novel before they see the film. Reading the book right before you see the film will almost certainly ruin the film for you.
I love it when I see somebody else make a great film. I think there is a great supportive film community, even though the awards seem to do something weird to that.
You can do a short film in three to four days, and then you can show it. Look at the careers you seen go either through Tropfest or outside of Tropfest. You can make a short film in a couple of days, and if it's great, it can go in the Internet or go to a film festival like this one or another.
If I start paying attention to the mechanics of a film while watching it, then it's generally a bad film.
My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
Eventually, the outcome of a film is not in my hands. What I do while making the film is in my hands, and that is what translates onto the screen.
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