A Quote by Vivek Shraya
My intention was never to write a "trans novel" - which is perhaps an effective strategy for writing a trans novel.
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The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
I have always been aware that I can never represent all trans people. No one or two or three trans people can. This is why we need diverse media representations of trans folks to multiply trans narratives in the media and depict our beautiful diversities.
People assume that trans people will only be accepted as trans characters, or that there aren't enough trans writers, or that there aren't any trans producers or directors, there's that attitude.
When we have a trans woman playing a trans woman, then you see, 'Oh wait, this is what trans really is. This is what it looks like: a person.' That sends a message to trans kids that they are valid in their identities that they are allowed to exist.
When we get to a point when trans folks are included in the creative process, the narrative will be much more authentic. Trans actors playing trans roles is a key part of that. But some of the trans talent is not even making it into the audition room, let's be honest.
When we have trans actors play trans characters, people can look onscreen and say, 'OK, this is what trans is.'
It just so happens that I'm trans. It shouldn't have to be like 'Oh, that's the trans model selling the trans clothes.'
If I'm writing a novel, I'll probably get up in the morning, do email, perhaps blog, deal with emergencies, and then be off novel-writing around 1.00pm and stop around 6.00pm. And I'll be writing in longhand, a safe distance from my computer. If I'm not writing a novel, there is no schedule, and scripts and introductions and whatnot can find themselves being written at any time and on anything.
Objectifying your own novel while writing it never really helps. Instead, I guess while you're writing you need to think: This is the novel I want to write. And when you're done you need to think: This is what the novel I wanted to write feels like and reads like and looks like. Other people might call it sweeping or small, but it's the book you chose.
Trans women, trans men, AFAB - which is assigned female at birth - and non-binary performers, but especially trans women of color, have been doing drag for literal centuries and deserve to be equally represented and celebrated alongside cis men.
I feel that whatever virtues the novel may have are very much connected with the limitations you mention. I am not writing a conventional novel, and I think that the quality of the novel I write will derive precisely from the peculiarity or aloneness, if you will, of the experience I write from.
I think it's really important to champion stories from trans women and trans women of color. That demographic has gone unheard and unsupported for so long, and it's really the community that's struck the hardest by a lot of issues. I try to do a lot of work to champion trans feminine issues and stories, but that said, I do have a personal and deep investment in seeing trans masculine stories reflected in culture. It is a little disappointing to me that trans men and trans masculine people have not really been part of this media movement that we're experiencing right now.
It seems only fitting that we have a trans superhero for trans kids to look up to. I wish there was a trans superhero when I was little.
So often, trans roles don't even go to trans actors. Most of the fabulous trans roles that have won people Oscars, we didn't get to play. A lot of folks have said we're not trained enough and that we're not prepared to do whatever.
Many in the trans community are fed up with L.G.B.T. organizations that continue to erase trans identity or just give lip service to trans issues. We need our cisgender allies - gay and straight - to treat transgender lives as if they matter, and trans people need multiple seats at the tables in the organizations that say they're interested in L.G.B.T. equality; this absence has been painful since Stonewall.
I never know when I finish the novel I am writing which will be the next novel out of the station.
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