A Quote by Vivek Shraya

Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums. — © Vivek Shraya
Despite the fact that I'm not highly skilled in any visual art, aesthetics have always played a strong role in my art, including my first albums.
I haven't had the opportunity to study visual art, but it was always my first love when it came to artistic expression. I started drawing and experimenting with visual art when I was 5.
I have a longstanding fascination with visual art. I do, in fact, draw as well, as I did in 'The Summer without Men.' I also write essays about visual art.
I never went into aesthetics. Aesthetics is what philosophers have to say about art, and a lot of them take an analytics position and raise the question, "What is an art object?" As soon as you fall into that trap, an artist is going to come along and say, "That isn't art - it's something else." That's a hopeless gig.
Art shouldn't be something that you go quietly into an art gallery and dip your forelock and say 'I have to be very quiet, I'm in here amongst the art.' It's here, art's everywhere. It's how you use your eyes. It's about the enjoyment of visual things. And it's certainly not for any one group of people.
I don't have the education of an art historian. I've certainly read about art and look at art and have educated myself to some extent. But I'm not a skilled or thorough art historian and I wouldn't call myself an art critic.
All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
There are three forms of visual art: Painting is art to look at, sculpture is art you can walk around, and architecture is art you can walk through
My mother is an artist, and I have a strong visual sense. I almost always choose the cover art for my books.
Music has always been a part of me and art in general. I love visual art as well.
No one questions the fact that verbal language has to be learned, but the commonplaceness of visual experience betrays art; people tend to assume that, because they can see, they can see art.
In The Art and Aesthetics of Boxing, David Scott addresses the daunting task of establishing a groundwork for the aesthetics of boxing-and succeeds with consummate authority. . . . In Scott's incisive blend of art history, sociology, and sports writing, he makes a daring and original statement about fighters and the artists who enshrined them.
Like many men, I am highly skilled in the art of losing things but prefer to outsource the recovery process.
The sole fact of having a school to train creative people is absolute lunacy... The idea of 'pedagogical vision' is ignoble, it has nothing to do with art, it's contrary to art. I really believe in teaching, despite what I say.
There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.
Despite the persistent image of the architect as a heroic loner erecting monumental edifices through sheer force of will, the building art has always been a highly cooperative enterprise.
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