A Quote by Vivek Shraya

In my thirties, I have felt a greater urgency to make art that highlights what it feels like to be racialized, likely due to living in a country that obscures our racism with the idea of "multiculturalism."
I do think that our culture or our psyche as a country I guess, the world or whatever, we're due for a huge event. We're due for a little bit of a revolution or a spotlight or a movement. Something that feels large, something that feels like the 60s. Some sort of unification.
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
Critical Race Theory offers of discrimination frameworks as ways of understanding and eradicating racism. The focus on "discrimination" as the way to understand racism in the US has meant that racism is considered a question of discriminatory intentions - whether or not somebody intentionally left someone out or did something harmful because of their biased feelings about a person's race. This focus on individual racists with bad ideas hides the reality that racism exists wherever conditions of racialized maldistribution exist.
Early thirties for women is a very intense time. If you want kids, and you're not in a relationship, there's an urgency there, so they're forced to mature quicker. It's easy for a man in his thirties to be immature - you can have kids into your fifties, whereas women just can't.
It is our job to ensure everyone feels included and empowered. We are living in a world that is increasingly diverse, and part of helping kids develop and be those successful leaders of tomorrow is helping them learn how to embrace multiculturalism and diversity.
Racism is a phenomenal thing; it is like a thick mist that obscures the vision and judgement of even great minds.
You make art, you make it from what you know, and that's the best way to make art. You get lost in the details and make something that feels like it's yours.
We are social beings who make communities with an urgency, and it is a stern charge to make us take refuge in the lonely world of oneself. ...Racism attempts to occlude our cosmopolitanism (of the songs in and out of our bones), and it often appropriates our mild forms of xenophobia into its own virulent project. Difference among peoples is something that we negotiate in our everyday interactions, asking questions and being better informed of our mutual realities. To transform difference into the body is an act of bad faith, a denial of our shared nakedness.
Racism in America absolutely exists - it is an issue. We need to fix it. We're a great country - probably the greatest country but we could be a hell of a lot greater.
It feels a little bit odd to me that you have some guys that have never lived in the United States that play for the United States because they were able to secure a passport. To me, that just feels like they weren't able to make it for their country and earn a living, so they're coming here.
There's a difference between racism and "I don't know any better. I'm clueless." Racism is like, "I'm trying to make you feel bad." That's racism.
Our youth and manhood are due to our country, but our declining years are due to ourselves.
The funny thing is, I was never purposely blonde. I just got highlights, and then you get highlights over highlights, and then it looks like you're blonde.
If we say, as we do, that no one in this country intends for racism to lead to genocide, the effects of racism are genocidal, regardless of our intentions.
Rural America's not coming back. That idea was lost with the Industrial Revolution. And yet with more than 80 percent of Americans living in metropolitan areas, there are still demagogues who want to run down the idea of multiculturalism, of urbanity, being the only future we have. We either live or die based on how we live in cities, and our society is either going to be great or not based on how we perform as creatures of the city.
In today's climate in our country, which is sickened with the pollution of pollution, threatened with the prominence of AIDS, riddled with burgeoning racism, rife with growing huddles of the homeless, we need art and we need art in all forms. We need all methods of art to be present, everywhere present, and all the time present.
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