A Quote by Vivien Leigh

But I remember the morning after The Mask of Virtue-which is the first play I did at the West End-that some critics saw fit to be as foolish as to say that I was a great actress. And I thought, that was a foolish, wicked thing to say, because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry. And it took me years to learn enough to live up to what they said-for those first notices. I find it so stupid. I remember the critic very well, and have never forgiven him.
Some critics saw fit to say that I was a great actress. I thought that was a foolish, wicket thing to say because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry.
The most important thing, my father told me, which I have never forgotten, and which I have often put unto practice was: If you get into a quarrel with anybody, hit him first. "If you hit first, the battle is half-won," my father always said "Don't let him hit first. You hit him first." "What's more," he never forgot to say, too "Usually one blow is all you need." I found this to be true.
I remember sitting in his office a hundred times during those grim months and each time thinking, What on earth can he say that will make me feel better or keep me alive? Well, there never was anything he could say, that's the funny thing. It was all the stupid, desperately optimistic, condescending things he didn't say that kept me alive; all the compassion and wamrth I felt from him that could not have been said; all the intelligence, competence, and time he put into it; and his granite belief that mine was a life worth living.
President Carter famously said the hostages were the first thing he thought about in the morning and the last thing he thought about at night. It was a downright foolish thing to say, because it made the people holding the hostages realize that they had an awful lot of influence over the United States.
I don't really remember much before was eight, but I do remember that my dad brought me to drop me off at my grandmother's house, and he was a very emotional guy, but that was the first time I really saw him cry, cos I knew it killed him to have to give me up, but he knew I needed some family structure. That was the last time I'd see him or talk to him when he was sober for the next 10 years.
When I listen to Airplanes record, it takes me back. I remember a lot of my thought processes when I was 20 or 21, writing those songs and recording that record. I wonder what I was thinking when I was trying to say a particular thing. I hear some of the weird little nuances in the recording; I can hear what the room sounded like. I remember what it smelled like. I can remember sitting up in guitarist Chris Walla's bedroom and for the first time in my life having this realization like, "Maybe I can do this. Maybe I can make music that in some capacity people will enjoy and come see me play."
Love is wise; hatred is foolish. In this world, which is getting more and more closely interconnected, we have to learn to tolerate each other, we have to learn to put up with the fact that some people say things that we don't like. We can only live together in that way. But if we are to live together, and not die together, we must learn a kind of charity and a kind of tolerance, which is absolutely vital to the continuation of human life on this planet.
I'd never seen my father stand up. As far as I can remember, my father was always in a wheelchair. I always remembered that. And I remember my first basketball game, ever, he rolls into the gym, he stays by the door and he watches me play. And that was the only game he ever saw me play because he passed away shortly after that.
I was trying to make you jealous!" Simon screamed, right back. His hands were fisted at his sides. "You're so stupid, Clary. You're so stupid, can't you see anything?" She stared at him in bewilderment. What on earth did he mean? "Trying to make me jealous? Why would you try to do that?" She saw immediately that this was the worst thing she could have asked him. "Because," he said, so bitterly that it shocked her, "I've been in love with you for ten years, so I thought it seemed like the time to find out whether you felt the same about me. Which, I guess you don't.
The first time I saw you, when you stepped into that Skiz ring against Kaede, I thought you were the most beautiful girl I'd ever seen. I could've watched you forever. The first time I kiss you..." That memory overpowers me now, taking me by surprise. I remember every last detail of it, almost enough to push away the lingering images of the Elector pulling June to him. "Well, that might as well have been my first kiss ever.
I never thought America would be stupid enough to put this idiot in the White House. Up until a half hour before they declared Trump the winner, I still thought that it wouldn't happen. I never thought that we, as a nation, had fallen so much that we would be foolish enough to do that.
What's funny is my mom took me to the theater for the first time when I was six years old, and I was just amazed by it. I just said, 'Hey Mom, can I do this too?' And so she signed me up for little theater classes, and I remember my first audition for a play when I was seven years old was for 'The Thankful Elf.'
One of my problems with religion is that it's limiting in so many ways. I remember the first time I took a humanities class, I thought, I can't believe this. This is fantastic. This is what I want my life to be. When I was a young person, I did a lot of dabbling in Eastern religions, and it was very satisfying in some ways, but there's that limitation always, which I find myself bridling against.
I do remember at my very first opening in 1979 another artist coming up to me, and he was haranguing me, saying, "Did you really intend for these things to be so dumb? You just put it there and took a picture of it." He wouldn't let it go. So that's what made me think about the dumbness aspect more.
I remember when James Wan and I did the first 'Saw' movie, a lot of people would say to us, 'Well, you left the door open for a sequel.' And we would say, 'No, we literally closed the door!' We thought it was a nice ending. Little did we know that the producers had other ideas once the film was a hit.
I'm very glad my mother didn't let me quit piano lessons at age 10. She said I wasn't old enough or good enough to make that decision, and she was right. I remember at the time I was shocked. I did not like that my mother said those things to me. But when I got a chance to play with Yo-Yo Ma or more recently with Aretha Franklin, I thought, I'm really glad she said what she did.
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