A Quote by Vivien Leigh

English people don't have very good diction. In France you have to pronounce very particularly and clearly, and learning French at an early age helped me enormously. — © Vivien Leigh
English people don't have very good diction. In France you have to pronounce very particularly and clearly, and learning French at an early age helped me enormously.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
There was never a choice to sing in English or French, that's the thing. We started a band and sang right away in English. You reproduce the thing you like, and most of the bands we liked were coming from England or the U.S. We also came to cherish the fact that there was no one in France singing in English -we were so happy Phoenix to be the first. Even if we are traitors to France, our country, which I'll never understand, because we talk about things that are very French.
I consider myself a 'local' actor in France. I started out in France, I went to drama school in France and the French film community was very welcoming to me when I was a young actress.
I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
I have an English identity and a French identity. When I'm in France, I'm more outgoing. And the French part of me cooks, whereas the English part of me writes.
My mother was a huge influence on me - she was a free spirit and helped me appreciate, from a very early age, that everyone is different.
True to their history, the English are very domineering and have manipulated it in different ways. I wouldn't say that there was an original, but there is a lot of expurgation in some of the Victorian translations, and there's a lot of additional salacious nonsense in some of them, too. I also like the early French one, much-derided for being fanciful but which is actually very elegantly done. It's very big, very capacious.
Everyone tells me I have a funny accent. It's because I copy people. I learned English at school but have best friends who are French, Australian, English and American; a very weird mix.
Basketball definitely helped, because even though I couldn't speak English, I was able to spend a lot of time with my teammates, which helped me learning English a lot.
I was writing from a very, very early age. My father used to write. He died early, and my mother was a schoolteacher, so my academic background from childhood is a strong one, a good one.
I have an English literature degree. I wanted to be the next great American novelist from a very early age, but I put it aside for a while, because I got very realistic at one point.
But I studied art in Belgium from the age of 17 to 18, and I learned French when I was there. Very reluctantly so. I didn't do a very good job. For the first six months I was very depressed and couldn't speak to anyone, and then it kinda hits you.
I use a pseudonym, because my real name is very difficult to pronounce, to remember, and to spell. And many people who have been talking about me on television have yet to pronounce it correctly.
Acting helped me as I was growing up. It helped me learn about myself, helped me travel, helped me understand life, express myself, all those wonderful things. So I'm very, very grateful; it's a fun job. It's a luxury.
Being hapa, or more specifically, half-Japanese half-Euro mutt (English, Irish, Scottish, Dutch, French, Welsh, German. . .in case you were wondering), has definitely helped shape who I am. It's very cool to get to identify and learn about all these unique cultures and I think it's helped put the world in perspective.
Music is a continual learning process. One finds new insights all the time. For me, it began at a very early age; from the beginning, there was something besides the notes.
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