A Quote by Vivienne Westwood

I'll tell you what I was like as a child. I was a good person. I was high-spirited but I was a big reader. — © Vivienne Westwood
I'll tell you what I was like as a child. I was a good person. I was high-spirited but I was a big reader.
A good story is alive, ever changing and growing as it meets each listener or reader in a spirited and unique encounter, while the moralistic tale is not only dead on arrival, it's already been embalmed. It's safer that way. When a lively story goes dancing out to meet the imagination of a child, the teller loses control over meaning. The child gets to decide what the story means.
Thrillers provide the reader with a safe escape into a dangerous world where the stakes are as high as can be imagined with unpredictable outcomes. It's a perfect genre in which to explore hard issues of good and evil, a mirror that allows the reader to see both the good and not so good in themselves.
Black folks tell their kids they have to be twice as good as a white person? Well, if I tell a child of mine that, or that they have to be careful - that this is what a cop would do if you do this - they think something is wrong with them. I tell them death is better.
It's good for a writer to come from journalism because it gives you the tools. A journalist knows that he or she can lose the reader in six lines, so try to keep the attention of the reader. Also, you learn to research, and to conduct an interview - to extract from the person whatever you need from that person.
Do not tell me what to do, tell me what you do. Do not tell me what is good for me, tell me what is good for you. If, at the same time, you reveal the you in me, if you become a mirror to my inner self, then you have made a reader and a friend.
What do I see when I look in the mirror? One handsome man. No, I see the same person I have seen for the last 27 years: the person I believed I could be when I was a child, the person I have inspired and dreamed to be all my life, and that's the person I have seen, from being that big to as big as the roof - the same guy.
Going back to my own past as a reader, I was a big, big reader of romances, particularly as a teenager, the age that my books are aimed at.
Every time I see a good play or watch a good movie, I have the same feeling I had as a child of wanting to be that person on stage or wanting to run through the forest with a big dress on.
Because I was drafted high, I got the reputation of being conceited, like I'm too good for this person or that person.
Like 'Metro' and 'Motor,' 'Troublemaker' is written in first person. The only narration that happens is Barney speaking to the reader/thinking in her head. First person was a big challenge in the graphic novel because we want both men and women of all ages to enjoy 'Troublemaker.'
What I have a problem with, is this big worldwide synchronization, this big worldwide oneness, where everybody is just like the same person. I couldn't tell you when, was the last time I met an individual.
I'm quite a good reader of people; I like to meet people, and I can tell if they're lying or not.
I loved Eddie Guerrero, Rey Mysterio, Rob Van Dam, I was a big fan of any of the big, flashy high flyers. They had that high flying, high intensity, and high impact style.
I was a very avid reader when I was a child, and I also was a good listener.
Curiously enough, one cannot read a book; one can only reread it. A good reader, a major reader, and active and creative reader is a rereader.
It is hard to create a first-person narrator that can be a child and yet is able to take in enough information for the narrative to be legible to the reader.
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