A Quote by Vivienne Westwood

I am always trying to find fabrics that are more friendly to the environment - working with Virgin Atlantic, they managed to research into this and find more eco fabrics.
It's a paradox to be an actress, living in the city, taking planes all the time, trying to find the right balance in this life, which is not so eco-friendly, and still try to respect the environment.
Most of the designers are eco-friendly, even by default, through their use of up-cycled materials and organic fabrics, and by producing in small quantities. Ultimately, the design has to be great - no one will buy it if it looks like a hemp sack!
With Whitney Eve, I really wanted to dress everyday girls. I wanted it to be a more sophisticated than just casualwear, but be comfortable at the same time. All the fabrics are easy fabrics, they can be dressed up or dressed down.
I'm quite tactile, so I like fabrics that feel good. I try to avoid fabrics that crease - especially with my son. When you have a child, that's important. A great pair of a jeans, a t-shirt and some loafers, that's what I always wear.
Beautiful fabrics last; synthetics don't. Certain fabrics, such as linen or cotton, develop their own character over time.
I loved the idea that people dressed up to go to the gardens. Our work always has a utility point of view at its heartbeat and then other things come around it, so it really allowed us to use denims and suedes and gauzes, and those sorts of hard-working fabrics - workwear fabrics - and then contrast them with crepe de chine, beautiful florals and big jewelry.
We are working to understand and regulate per- and polyfluoroalkyl synthetic chemicals, known as PFAS and PFOS, used to make water-repellent fabrics and non-stick products. These chemicals have been in prevalent use since the 1940s, but we need to learn more about their potential effects on human health and the environment.
I have a different experience. My father was a small-businessman. He worked really hard. He printed drapery fabrics on long tables, where he pulled out those fabrics and he went down with a silkscreen and dumped the paint in and took the squeegee and kept going.
The shock of the way I mix patterns and fabrics can be disconcerting, but what I am trying to do is provoke new ideas about how pieces can be put together in different ways. I think this is a more modern way to wear clothes that in themselves are fairly classic.
I'm afraid I'm still trying to find that balance. Especially now that everyone wants a piece of me. I find that I have to become more and more reclusive, and pick and choose when I am public and when I am private.
Design is a series of creative choices - it's a collaborative effort, an evolutionary process. You choose your fabrics depending upon what you want to say, then you work with mills to get those fabrics. Through the process, you realize what you want it to be.
If everyone's rocking the same cool, hard-to-find fabrics, they might not be as cool and hard to find as you think.
India is an incredibly vibrant market, which Virgin already, through Virgin Atlantic, has the pleasure of working in. I am delighted that Virgin Comics will not only help to launch the Indian comic market and spin it into the West, but will develop new and exciting talent.
Uniqlo as a company has always developed new fabrics and is always trying to be innovative. The design is simple, so the fabric is important.
If space is a fabric, then of course fabrics can have ripples, which we have now seen directly. But fabrics can also rip. Then the question is what happens when the fabric of space and time is ripped by a black hole?
I want to try and wear as many Australian designers as I can because I'd like to support my Australian colleagues in the industry as well as find things that are eco-friendly. I love the green concept of wearing more sustainable garments at events.
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