A Quote by Vivienne Westwood
I'm very lucky. The public happens to like me. Maybe they like me because I use every opportunity to talk about injustice.
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I feel like talking to people who don't tour, when you talk about touring - obviously we're super blessed and very lucky to be doing what we do - but there are so many weird things that could never happen anywhere else. When I talk to people who don't tour they look at me like I'm being bratty and complaining about this job that I have. It's not that! It's the fact that when I'm home I can exercise every day, I can cook myself good meals, then when I'm on the road for a long time it's like, "There's a Subway. I guess I'm eating a bowl full of lettuce because I don't eat McDonalds."
I have been very lucky because I have had the opportunity to see what it's like to have little or no money and what it's like to have a lot of it. I'm lucky because people make such a big deal of it and, if I didn't experience both, I wouldn't be able to know how important it really is for me. I can't comment on what having a lot of money means to others, but I do know that for me, having a lot more money isn't a lot better than having enough to cover the basics.
I'm lucky because the most dangerous thing that could happen to me is that someone will say something mean on a computer screen miles away, and so I feel like if that's all that I'm facing, then why would I not use my platform to talk about things?
What I do onstage, there's maybe .0001 percent of the population that acts like that. I talk like that because it makes me laugh, and because I know a couple of people that talk like that. They're really that Southern. And they do funny things. I love 'em; they're awesome. They're good people.
Now I have been studying very closely what happens every day in the courts in Boston, Massachusetts. You would be astounded--maybe you wouldn't, maybe you have been around, maybe you have lived, maybe you have thought, maybe you have been hit--at how the daily rounds of injustice make their way through this marvelous thing that we call "due process.
Sometimes, when something really great happens to me, I like to wait two weeks before I tell anyone about it, because I like to use the word 'fortnight'.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
They would send me notes on what's going on, and we would pitch in and talk about what we wanted to talk about on the show. I just really did my homework. It was more like a real job for me. Doing this talk show was like, "Wow, this is what they do?!" I can't even imagine doing it every day.
I can do what I want to do, lucky me. But when these people are coming at me and asking these things, they don't really care about me. And I have felt like there were all these people who just wanted to use me.
Roger Ebert was such a champion of underrepresented filmmakers. He was a very big deal to me. It shows the power of critics. People who write about film, like you, can really affect the confidence of a young filmmaker. He did that for me, so it was such a pleasure to have an opportunity to talk about Roger in the movie.
Don't label me before we get a chance to talk about it. Talk to me first and see what kind of person I am. That's what I like to tell the media: Come talk to me, let's sit down and talk about what's really going on.
Sometimes people will approach me on the street and ask me very personal questions about my dating life. Fans talk to me like they know me, and it's like, 'You don't know me. You know my character, but you really don't know me.'
I like to tell myself people look at me for all sorts of reasons. Maybe they're staring because they're shocked or maybe they recognise me from TV, or maybe they just like my shoes - especially women, because we all look at each other's clothes and hair.
I'm allowing myself every opportunity, every tool that every other artist should allow themselves to use. If anybody expects me to not use certain language or certain words, like I have some kind of penalty restriction, it's completely unrealistic.
I feel lucky, where I'm not 'famous' famous. I'm not someone that everyone kind of knows for no reason. If people know who I am, they like me because if they didn't like me, they forgot about me.
I feel like I was transformed by the kindness of people who had every reason to show me cruelty and the transformative power of their decision to treat me like a human being, that was so huge, that anytime somebody wants me to talk about that I feel like I absolutely want to do that.
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