A Quote by Vlade Divac

When I came to New York for the draft in '89, they told me I should be like 10 and 15, and it didn't happen. So I was very disappointed, like, nobody wants me. — © Vlade Divac
When I came to New York for the draft in '89, they told me I should be like 10 and 15, and it didn't happen. So I was very disappointed, like, nobody wants me.
I was a bartender in New York and I overheard this girl saying she made $3000 doing a commercial. A kid at work told me, 'Hey, I know this director and he'd really like you!'. So I walked into this guy's office and was like 'I was thinking maybe I could make $3000' and he hired me for commercials, short films, like 15 jobs in a row.
I've been living in New York City almost seven years, and my mentality has changed a lot. Just from being in New York this long and going across America, I realize that in New York, nobody really cares. They are just like, "We're New Yorkers." I feel like that is really the way it should be.
Like people coming up to me like, 'Nobody ever told you that you look like Lil Baby?' But I'll be like, nah. Or like, somebody told me that. I'll never just say, it's me.
As I came to New York, it was for me a new beginning. To discover what people are living here. What do they need, what do they expect, what would they like to be the image and the performance of the New York Philharmonic?
I have a lot of love for the Golden Bears. I was upset and disappointed with the rumors that came out when it came time for me to enter the draft. There were a lot of negative things said about me that hurt me, that I wasn't a team player and I didn't work hard.
I feel like New York built me - it made my mindset really strong. I give props to New York for making that happen.
When I was in New York, I took my bike everywhere for transportation. I didn't have a fixed-gear bicycle, like a lot of the messengers do, but I had a stripped-down deal - having lost a few good ones in New York - and I did 10 to 15 miles a day just getting around the city.
I've always liked New York, as I like towns with an edge and New York has a European feel, so when I came to play music here in the '80s it was a surprise to me.
A guy came up to me in the park and asked if I wanted to buy his CD. I said sure. He got panicked and told me he didn't actually have a CD, and he started crying and then told me he never made it and he's really sorry and called me 'Ralph.' New York's a really weird place.
No city owns me, you know what I'm saying? I'm from New York, but no city owns me. Nobody can bottle up my sound and box me in. Yes, I am a rapper, but am I a New York rapper? No. I am from New York, I love New York to death, but I will not conform myself to one place, no.
I don't like Los Angeles. The people are awful and terribly shallow, and everybody wants to be famous but nobody wants to play the game. I'm from New York. I will kill to get what I need.
Nobody ever said, "Well if you want to be in movies, you should go to L.A." Everybody else was going to New York. So I went to New York with them. And then I was like, "How am I supposed to get a movie?"
I think God made this very path for me, and he guided me all throughout. And my family has always been very supportive. It's not like one day I sat across the dinner table and told them I want to be an actor. It didn't happen like that.
I spend the majority of my time in New York and LA. I feel like a large part of my following and my fans are probably in New York and LA because of the work that I do is very New York-LA-centric. So people do recognize me. But it's nothing overwhelming at all.
I have a streak in myself, like, I'm an exhibi- tionist. There's a side of me that really wants to show off and share parts of myself with others. I mean, that's why I live in New York, and that's why I'm an artist who shows 10 times a year.
It's one of the things writing students don't understand. They write a first draft and are quite disappointed, or often should be disappointed. They don't understand that they have merely begun, and that they may be merely beginning even in the second or third draft.
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