A Quote by Vladimir Ashkenazy

Steinway is the only piano on which the pianist can do everything he wants. And everything he dreams. — © Vladimir Ashkenazy
Steinway is the only piano on which the pianist can do everything he wants. And everything he dreams.
It's all very well having a great pianist playing but it's no good if you haven't got anyone to get the piano on the stage in the first place, otherwise the pianist would be standing there with no bloody piano to play.
I like Stevie Wonder as my favorite non-pianist pianist. I mean, I shouldn't call him a non-pianist, because he's really a great pianist, but he doesn't feature it that much - he uses his keyboards and his piano technique to support his great songs and so forth, but he can really blow.
I have owned and played a Steinway all my life. It's the best Beethoven piano. The best Chopin piano. And the best Ray Charles piano. I like it, too.
I insist on a Steinway for my recordings, my concerts and my home. It is the only piano I want to hear my music played on.
I grew up in a family of piano players. Both my sisters were serious players, and they both, as they became more accomplished, aspired to buy a Steinway and asked my dad to buy a Steinway.
The thing is, I'm not really a great pianist at all. But if God said I could either sing or play piano, and which would it be? I would definitely choose the piano.
I wish to thank Steinway for its wonderful pianos which I've been privileged to play in all my concerts. There is no piano like it in the world.
I have looked to the Steinway piano since I was three, not only as my ideal choice of an instrument. But, as a responsive and ever reliable friend.
I had never before thought of how awful the relationship must be between the musician and his instrument. He has to fill it, this instrument, with the breath of life, his own. He has to make it do what he wants it to do. And a piano is just a piano. It's made out of so much wood and wires and little hammers and big ones, and ivory. While there's only so much you can do with it, the only way to find this out is to try; to try and make it do everything.
I was very fortunate to take piano lessons from a young age, and the only times that we were able to play on Steinways was at our recitals, which were really nerve-wracking. Partly because we got to play on a Steinway.
I can play piano, and I write everything on piano, but I don't really feel like a piano player, necessarily.
When I was first starting out as a kid, I tried to pad my resume with everything I had ever done - ice-skate, carry a tune. I can't dance for my life, but I can learn, so I'll tell people I can dance. I play the piano - I'm a really good pianist, actually.
I suppose the biggest change to me is this kind of very oversexualizing of everything. Not that anyone wants to take the sex out of rock 'n' roll, you know - that would be ludicrous - but it seems that everything now, it's like the sexuality is the only voice; everything else is gone.
Try to understand what I am saying: everything is dependent on everything else, everything is connected, nothing is separate. Therefore everything is going in the only way it can go. If people were different everything would be different. They are what they are, so everything is as it is.
When I was a little girl my parents always told me do everything you want in an artistic way. If you want to draw, make a drawing. Just do it. And if you want to play piano, play piano. It was a very free childhood where everything was possible.
I want to make music. That means I prefer the Steinway piano.
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