A Quote by Vladimir Horowitz
As far as practicing is concerned, I usually try to do one to two hours a day. It isn't good to practice too much, or your playing becomes too mechanical.
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It's no use practicing too much. First you have to find out how to do it best. You have to be able to invent ways of doing better. Not only practice; obviously you have to practice. But to invent things how to do better. If somebody doesn't know what invention means, he should stop violin playing! You can't explain everything... Not practicing only: Think how to achieve quality.
I've gone up two suit sizes. The character I'm playing, he's strong, I can say that much. I've changed my physique a bit, so that requires eating like a foie gras goose, well beyond your appetite. Providing I don't feel too ill, I then work out two hours a day with a phenomenal trainer. It's the L.A. way.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
I grew up playing the guitar. I started when I was nine, and by the time I was nine and a half or ten, I was doing seven or eight hours' practice every day. I did two hours' practice at six o'clock in the morning before I went to school, and another two hours as soon as I got home from school in the afternoon. Then I did four hours at night before I went to bed. I did that until I was fourteen or fifteen.
I mean the people who seriously, seriously play devote their lives to it sort of the way monks do. I mean you don't date, you go to bed at a certain time, you eat certain ways, you practice 10-12 hours a day. And I mean, the difference between practicing three hours a day and practicing 12 hours a day is everything. And I certainly never - I never trained seriously after the age of 16.
We saw too much beauty to be cynical, felt too much joy to be dismissive, climbed too many mountains to be quitters, kissed too many girls to be deceivers, saw too many sunrises not to be believers, broke too many strings to be pro's and gave too much love to be concerned where it goes.
I think too many comic book covers are way too busy, crammed with far too much information, both visual and verbal, that just becomes a dull noise.
We have come too far, - struggled too long, - sacrificed too much and have too much left to do, - to allow that which we have achieved for the good of all to be swept away without a fight. And we have not forgotten how to fight.
You can never put too much pork in your mouth as far as I'm concerned.
I just live day to day, in the present. And I try to just be that best version of myself every day - I don't look too far behind, I don't look too far forward.
I don't have any complex plans for playing a character. I think all I try to do is not make too many bad guy faces and not ever try to seem too good. I just try to put it in the middle somewhere.
How far is too far? When you love a band so much that its songs fill the empty spaces inside your head and heart, is that too far?
I think what's dangerous is 24 hours a day, 335 channels, or whatever the hell there is. Too much is too much.
I want to try and do as much as I can as an actor. So far I think I've done pretty well with being a minister's son. And now I know I'm pretty darn good at playing a woman too.
Everyone who became great at something has a similar story: For years, they worked on their craft every day, even if they weren’t in the mood. Always pushing, practicing, working, and improvingYes it takes thousands of hours of practice, but that’s good news! It’s a clear path and it’s under your control.
I try not to be too precious about my writing, and I try to be willing to walk away from it for a few hours when something's not working, to let things percolate a bit. I try not to hide myself away from life too much, because I think that's a risky thing for a writer to do.
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