A Quote by Vladimir Nabokov

All my stories are webs of style and none seems at first blush to contain much kinetic matter. — © Vladimir Nabokov
All my stories are webs of style and none seems at first blush to contain much kinetic matter.
All my stories are webs of style and none seems at first blush to contain much kinetic matter. For me style is matter.
There's a blush for won't, and a blush for shan't, and a blush for having done it: There's a blush for thought and a blush for naught, and a blush for just begun it.
On first blush, Hold 'em seems like a ridiculously simple game.
I have a fairly limited drawing style. I'm not like my friend Derek Kirk Kim, who can pretty much change his style at will. My drawing style can handle some of my stories, but not all of them.
Theoretical webs, dirty webs, fusty webs, old and shrivelling away into nothingness, a fine dust.Who needs that kind of stuff. Far far better getting out into the open air and doing it, actually doing it, something solid and concrete and unconceptualisable.
According to the kinetic theory of gases, the mean kinetic energy of a molecule is a measure of absolute temperature.
My friends are much more dangerous than my enemies. These latter - with infinite subtlety - spin webs to keep me out of places where I hate to go, - and tell stories of me to people whom it would be vanity and vexation to meet; - and they help me so much by their unconscious aid that I almost love them.
At first blush, it seems that the young people who were shot down in the parking lot at the base of Blanket Hill gave up their lives for a dream that died with them.
The bold defiance of a woman is the certain sign of her shame, - when she has once ceased to blush, it is because she has too much to blush for.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
Stories matter. Stories are how we make sense of the world, which doesn't mean that those stories can't be stupid and simplistic and full of lies. Stories can exaggerate and offend and they always, always matter.
The stories we tell about each other matter very much. The stories we tell ourselves about our own lives matter. And most of all, I think the way that we participate in each other's stories is of deep importance.
It is not the style but the quality and emotional impact of work that makes it marketable. Unless we make art that connects with people, we won't sell much, no matter what the style or subject.
Of the countless ways to feel old in your 40s, perhaps none is quite as perplexing as seeing a young person trendily decked out in 1980s-style garb and saying to yourself, 'I can't believe that look is back in style. It was bad enough the first time around!'
I really believe in people putting stories out there that contain the most difficult moments because nothing to me is more lonely making than sanitized stories or airbrushed stories that kind of allied how hard it got.
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