A Quote by Vladimir Nabokov
All my stories are webs of style and none seems at first blush to contain much kinetic matter. For me style is matter.
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All my stories are webs of style and none seems at first blush to contain much kinetic matter.
You know, comments about style always seem strange to me - 'why do you work in this style, or in that style' - as if you had a choice in the matter... What you're doing is trying to stay alive and continue and not die.
I've changed my style constantly, so I'm not sure I have one defined style, except perhaps style of subject matter.
I've changed my style constantly, so I'm not sure I have one defined style, except perhaps style of subject matter. But you learn as you go, I suppose.
Balling is balling; it is all just basketball for me and I'm used to playing both games, so it really does not matter if it is international style, American style; it does not matter at all for me.
It is not the style but the quality and emotional impact of work that makes it marketable. Unless we make art that connects with people, we won't sell much, no matter what the style or subject.
It's a matter of style. The Evan Hunter style and the Ed McBain style are very, very different.
Its a matter of style. The Evan Hunter style and the Ed McBain style are very, very different.
The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?
I have a fairly limited drawing style. I'm not like my friend Derek Kirk Kim, who can pretty much change his style at will. My drawing style can handle some of my stories, but not all of them.
Oddly enough, I suppose, I don't give much thought to my style, and I don't attempt to be consistent - except within a story. You ask if I struggled to find my style. It seems to me that style - in other words, a way of thinking and doing things - is innate. You can try to will it to be different, but it's like a signature - you can't change its fundamental nature.
What I think is great style advice that people have told me is that people who are confident look beautiful. No matter what they're wearing, no matter if they're inappropriately dressed, no matter if their hair's not really done right, eyebrows haven't been tweezed.
It's inevitable that everyone's first drawing they draw is much like their fingerprint. It's inescapable that one has an identifiable style. It's not a major issue with me, but I never wanted to have a distinctive signature style so much.
The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together.
I dress according to the requirement of the film, as a true actor. Off the camera, I'm just me. I have my preferences and my personal style. Before I step out, I look into the mirror just to confirm that my style is intact. Beyond this, it doesn't matter.
Maybe many directors are trying to create their own style of filmmaking, or to respond to audiences that come expect a certain style from them. But I don't care about that - I don't intend to have a 'Miike' style. I just pour myself into each film, enjoy it, and then what comes out just seems to have a 'Miike' style.
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