I keep [portraits of Jigoro Kano and a bust] at home, in my residence, where I live permanently. It's a very good, high-quality work by a Russian sculptor, depicting not just a strong-willed but also thoughtful and kind man.
I Bust-A-Move! Old-school style too: like, I'll bust a Robot out in a second.
My wife's hands are very beautiful. I'm going to have a bust made of them.
I've always been into subcultures. In the '50s and '60s, what Pierre Molinier was doing was super subculture - he was taking self-portraits, it was very private, very intimate. I think that's actually how I started my drag - in my bedroom, taking MacBook self-portraits.
Working with Kano is cool, too: obviously, he's from the same scene, but we've never worked together on a track before, and where, like, better to do it than on a Gorillaz project?
I never wanted to make portraits - to photograph celebrities, beautiful people, beautiful landscapes, beautiful buildings, or people in distressing situations.... I have always been interested in everyman - average, ordinary people in everyday situations.
I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
In my office, I have a very beautiful marble bust of Seneca. I always have my eye on him when I'm taking phone calls. He's one of the many philosophers I've always read and admired.
I've never seen anywhere in the world as beautiful as Kashmir. It has something to do with the fact that the valley is very small and the mountains are very big, so you have this miniature countryside surrounded by the Himalayas, and it's just spectacular. And it's true, the people are very beautiful too.
The people have to know what my portraits are like in order to behave in such a way that the result is one of my portraits.
Oh, you ask me, what is the greatest torture of a person who does portraits for a living? I could fill several volumes with nice nasty stories. I don't know.
I felt that the beach portraits were all self-portraits. That moment of unease, that attempt to find a pose, it was all about me.
I don't know what Alison [McGhee] thinks, but I very strongly doubt that we will ever see the parents of Bink or Gollie. However, I do think it would be fun to make Tony Fucile draw portraits of the parental units and have those portraits sitting on Bink's mantel or in Gollie's kitchen. Glowering. A little.
There's nothing more superficial to do than to paint a beautiful woman. The most beautiful portraits in art were of ugly women. If you paint Brigitte Bardot, it's a disaster. Sunsets, you have to stay away from sunsets. You paint a sunset, you are in great danger.
I've always loved those portraits that Alfred Stieglitz did of Georgia O'Keeffe over several years, which really convey the idea that there's not one image that can capture a woman, because we're changing all the time.
There are almost no beautiful cities in America, though there are many beautiful parts of cities, and some sections that are glorious without being beautiful, like downtown Chicago. Cities are too big and too rich for beauty; they have outgrown themselves too many times.