Plot comes first. The plot is the archictecture of your novel. You wouldn't build a house without a plan. If I wrote without a plot, it would just be a pile of bricks. Characters are your servants. They must serve your plot.
Bowed by the weight of centuries he leans upon his hoe and gazes on the ground, the emptiness of ages in his face, and on his back the burden of the world.
A man's social and spiritual discipline must answer to his corporeal. He must lean on a friend who has a hard breast, as he wouldlie on a hard bed. He must drink cold water for his only beverage. So he must not hear sweetened and colored words, but pure and refreshing truths. He must daily bathe in truth cold as spring water, not warmed by the sympathy of friends.
If a writer is true to his characters they will give him his plot. Observations must play second fiddle to integrity.
Everyone has his own specific vocation or mission in life; everyone must carry out a concrete assignment that demands fulfillment. Therein he cannot be replaced, nor can his life be repeated, thus, everyone's task is unique as his specific opportunity to implement it.
And everyone must lose his mind, everyone must! The sooner the better! It is essential — I know it.
I plot my ascent daily.
If we plant a flower or a shrub and water it daily it will grow so tall that in time we shall need a spade and a hoe to uproot it. It is just so, I think, when we commit a fault, however small, each day, and do not cure ourselves of it.
Just as a gardener must tend his or her plot, keeping out the weeds, you must tend the garden of your mind, weeding out the thoughts of lack, limitation, and negativity. You must nurture and tend the thoughts of happiness, success, and purpose.
I don't think plot as a plot means much today. I'd say that everybody has seen every plot twenty times. What they haven't seen is characters and their relation to one another. I don't worry much about plot anymore.
Fiction writers come up with some interesting metaphors when speaking of plot. Some say the plot is the highway and the characters are the automobiles. Others talk about stories that are "plot-driven," as if the plot were neither the highway nor the automobile, but the chauffeur. Others seem to have plot phobia and say they never plot. Still others turn up their noses at the very notion, as if there's something artificial, fraudulent, contrived.
Robin Williams is great; it's just like having a conversation when you're doing a scene with him really. It's just so relaxed on the set whenever he's around. Also he's just always telling jokes; he's always on. It must be funny for him though because he must think everyone's brain goes so much slower than his. He's working overtime on all these different ideas that pop into his head. Everyone else must feel miles behind!
We must hold a man amenable to reason for the choice of his daily craft or profession. It is not an excuse any longer for his deeds that they are the custom of his trade. What business has he with an evil trade?
The characters are the plot. What they do and say and the things that happen to them are, in a sense, what the plot is. You can't take character and plot apart from each other, really.
The plot! The plot! What kind of plot could a poet possibly provide that is not surpassed by the thinking, feeling reader? Form alone is divine.
The life of the earth comes up with a rush in the springtime. All the wild seeds of weed and thistle, the sprouts of vine and bush and tree, are trying to take the fields. Farmers must fight them with harrow and plow and hoe; they must plant the good seeds quickly.