A Quote by Volker Bertelmann
My music is also one part of my inner process, and people also seem to connect with me on that - especially the ones who have the same questions for their own lives.
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Religion is a huge part of me; I'm a practicing Muslim. I'm pretty much open about it if people were to answer questions. At the end of the day, I'm just a normal girl. I have my own beliefs just like everyone else. I have a strong belief in something, but I also love music.
I don't know - music in film, for me, is not another part of a soundtrack; it is something that also helps to approach a character, to foresee the type of image - you see what I mean - it's like a part of the process.
The calm mind allows one to connect with the inner self, the Soul, the very source of our being. That's where the music lives. That's where my music comes from.
I chose to write about food: food is inherently political, but it's also an essential part of people's real lives. It's where the public and private spheres connect. I wanted to show readers that the larger politics of war and economics and U.S. foreign policy are inextricably bound to the supposedly trivial details of our everyday lives.
When I see brokenness, poverty and crime in inner cities, I also see the enormous potential and readiness for transformation and rebirth. We are creating an art form that comes from the heart and reflects the pain and sorrow of people's lives. It also expresses joy, beauty, and love. This process lays the foundation of building a genuine community in which people are reconnected with their families, sustained by meaningful work, nurtured by the care of each other and will together raise and educate their children. Then we witness social change in action.
In acting class, you talked always about keeping it real and don't act... connect with the people and connect with the partner that you're acting with. The same is also true in politics.
When I was younger, bands helped me connect to part of my humanity; bands that had nothing to do with anything political helped to form me. There's a correlation in that: If people can connect to music, maybe they can connect to each other.
It's about process, the process of growth. It seems to me in my own life - and other minds throughout history have also observed this phenomenon - that growth seems to move in two directions at the same time.
We all have monsters inside of us, and we all have an inner child in us. You always think about your inner child as being the sweet and innocent part of yourself, but it's also the part that's all ego with the mentality of, "If the world isn't pleasing me, it isn't doing its job."
I think it's also important to show that failure is a part of the process. It can sometimes be the end goal. People are very obsessed with building useful things and I think often that also stops people from getting started.
How do the stems connect to the roots?' 'Where is the mist coming from?' 'Why does one tree seem darker than another?' These questions are implicitly asked and answered in the process of sketching.
I can connect with whoever I want to connect with in the world. And I can also write my own script. I don't have to follow rules. I can sort of just be unconventional.
I think that can also be the downfall at the same time in what's really difficult about being kind of in the public eye, you have so much exposure through the Internet, and you can receive a lot of comments, and you get kind of immediate gratification, but also immediate response from people that can either be negative or positive. But I'm really thankful for the internet because it's allowed me to connect with people so much more easily.
The people of Hiroshima went to work at once to restore human society in the aftermath of the great atomic flood. They were concerned to salvage their own lives, but in the process they also salvaged the souls of the people who have brought the atomic bomb.
I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.
A book, at the same time, also has to do with what I call a buzz in the head. It's a certain kind of music that I start hearing. It's the music of the language, but it's also the music of the story. I have to live with that music for a while before I can put any words on the page. I think that's because I have to get my body as much as my mind accustomed to the music of writing that particular book. It really is a mysterious feeling.
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