A Quote by Volker Bertelmann

I like the influence of pictures on music and the other way around. — © Volker Bertelmann
I like the influence of pictures on music and the other way around.
I like to look at pictures, all kinds. And all those things you absorb come out subconsciously one way or another. You'll be taking photographs and suddenly know that you have resources from having looked at a lot of them before. There is no way you can avoid this. But this kind of subconscious influence is good, and it certainly can work for one. In fact, the more pictures you see, the better you are as a photographer.
The expectations of theory colour perception to such a degree that new notions seldom arise from facts collected under the influence of old pictures of the world. New pictures cast their influence before facts can be seen in a different perspective.
I came to terms with living mostly in a world of horror pictures or genre pictures. I have had a few chances to get outside and do something different, like Paris, Je T'Aime or Music Of The Heart, but mostly it's been my lot. And to have created, with a few shocking films, an awareness or a perception of me as somebody dangerous and scary - that can be sold, but trying to sell me for some other kind of picture, like Music Of The Heart, was very difficult.
The way I choose to dress, I want to influence other people around me, I suppose.
Words and ideas can change or influence the mind just like music can - yes, like a spell. Regarding the effect of my "spells" I think it varies; my music communicates with some, and I think it has had a positive influence on the minds of those who like it. I hope it helped them see the world from a different perspective.
The way Ben Gibbard paints a picture, you feel like, 'I was there that day with him.' You really feel the way he paints pictures and speaks and talks. It's almost like talk-singing. Paul Simon does that very well as well. He's a huge influence of mine.
It would have been more logical if silent pictures had grown out of the talkies instead of the other way around.
I don't really listen to contemporary R&B with an ear for hearing my influence. Music is a spirit unto itself, and all of us musicians influence each other all along the chain.
In music I still prefer the minor key, and in printing I like the light coming from the dark. I like pictures that surmount the darkness, and many of my photographs are that way. It is the way I see photographically. For practical reasons, I think it looks better in print too.
The way I write music for other artists is the same way I write music for myself. I'll pick up the guitar, and I'll write music, and if I don't use it, I have, like, 500 other songs. If I don't use it, I give it away.
I like taking pictures of other people more than I like to take pictures of myself.
Small pictures since the Renaissance are like novels; large pictures are like dramas in which one participates in a direct way.
In other words the pictures are in a kind of relationship with each other which is touching only at points rather than pictures being illustrations of poems or poems extrapolations of the pictures.
I never had the influence of any other singer in my music, so I sounded like myself all the time.
It's hard to put into words the impact of the perfect lyric, melody or contagious beat that moves you in an unexpected way. Authors, composers and artists have tried - and here we've rounded up our favorite quotes that help to begin forming structure around such an unspoken universal force. Which are most meaningful to you? If you had to sum up the power of music and sound in one sentence, what would you say?"A painter paints pictures on canvas. But musicians paint their pictures on silence."
I'm aware of other artists, but what I'm really most interested in is viewing individual pictures. I like dramatic pictures.
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