A Quote by Volker Bertelmann

I am inspired by the films of Pedro Almodóvar, as they are funny, sad, and extremely weird. — © Volker Bertelmann
I am inspired by the films of Pedro Almodóvar, as they are funny, sad, and extremely weird.
I'm inspired heavily by film influences - David Lynch's Blue Velvet, Federico Fellini, Alfred Hitchcock, Pedro Almodóvar, and what I see in the cinema - so there is a linking, an interweaving between memory, cinema and contemporary life, which the women in my pictures encapsulate.
Pedro Almodóvar asked me to watch italian films again as homework to look at the energy of all those women from the Italian neo-realist films. A lot of them had those characters that represented motherhood. For some reason, in the '50s in Italy, the mother figure was very important - and my character needed to have that energy.
I've always loved the dialogue that Pedro Almodovar writes.
It would be a dream to do a film with Pedro Almodovar and that whole crew of Spaniards. There's this Argentinian actor who's one of my favorite actors in the whole wide world. His name is Ricardo Darin, and he's a brilliant actor. He does a lot of Argentinian films, and I know he does a lot of European films, as a Spanish actor.
I am not an action hero. That is not the only thing I did in my career. Many people know me because of my work with Pedro Almodóvar, or theater or films that I have done, aside from that. But, that was a part of my career that I embrace. I loved movies like Zorro and Desperado and The 13th Warrior, and other movies like that, that I have done and that contain some action, but it's not the only thing that I do.
I like "Talk to Her" by [Pedro] Almodovar and "Happiness" by Todd Solondz, "Mullholland Drive" by David Lynch .
Pedro's Almodovar different - very unique, very particular and difficult to compare to anyone else. But I've been lucky with many of the people that I've worked with. I think I've been very lucky with great opportunities - directors like Stephen Frears, Cameron Crowe and Fernando Trueba, as well as Bigas Luna, who gave me my first opportunity. There are a lot of people I would love to work with again. But, of course, I have a special relationship with Pedro and I don't think it's good to hide that.
Sometimes, when things go well on a set, or when you are working with somebody like Pedro Almodovar, Woody Allen, Rob Marshall or somebody so talented and so inspiring, it's really beautiful, what happens there.
What inspires me? I am so inspired every day. I am inspired by thinkers. I am inspired by rebellion. I am inspired by children. I have been inspired by love.
Yes, I am sad, sad as a circus-lioness, sad as an eagle without wings, sad as a violin with only one string and that one broken, sad as a woman who is growing old. Sad, sad, sad.
I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.
I didn't have the sensibilities of your ordinary filmmaker, let alone your ordinary African-American filmmaker. My heroes were John Waters, Pedro Almodovar, and actors that were part of that world.
I am inspired by thinkers. I am inspired by rebellion. I am inspired by children. I have been inspired by love. I have been inspired by heartbreak. I try to take everything that comes at me in life. There have been times in my life that I didn't handle things... right. But even though you stumble, you still kind of get through it.
I am defined also by Woody Allen’s films and Martin Scorsese and Jim Jarmusch and Julian Schnabel or Almodóvar, or by Guillermo del Toro, Iñárritu, Cuarón. Even if we haven’t worked with them, we are all defined by their filmography.
I am pretty weird - as weird as in my videos. The only difference is Lilly is not a performer, and Superwoman is. So Superwoman is very fearless. You'll never see her nervous. You'll never see her sad. But Lilly is a human. She is the person behind Superwoman, who gets sad and tired sometimes.
I discovered very soon, especially for movies, because I started in theater, that every director has his own universe. You have to be free enough to try to understand what he wants from you. Especially when that director has a tremendous personality. And I'm talking about people like Pedro Almodovar and Robert Rodriguez and Quentin Tarantino and Woody Allen. And you have to adapt. If you don't adapt to them, you are off the thing.
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