A Quote by Voltaire

The more he became truly wise, the more he distrusted everything he knew. — © Voltaire
The more he became truly wise, the more he distrusted everything he knew.
Now I got kids and I'm more wise now. Life means more to me than having fun. I'm more calm, more wise, and more cautious.
If this nation is to be wise as well as strong, if we are to achieve our destiny, then we need more new ideas for more wise men reading more good books in more public libraries.
And then as we played more and more as a trio, it became more and more of a situation where we realized we really knew how to use the fourth member of the group - that space. The thing about the trio is that it's the biggest sound you can have with the smallest unit.
If you knew everyone's story, you would love them. You can't really hate anyone if you know everything that happened to them between their birth and now; why they became the way they became; why they have walls up or down. If you truly know someone, you'd get it.
I am twenty years old. To a world-wise adult, I am little more than a child. To any child, however, I am old enough to be distrusted, to be excluded forever from the magical community of the short and beardless.
Even more, I had never meant to love him. One thing I truly knew - knew it in the pit of my stomach, in the center of my bones, knew it from the crown of my head to the soles of my feet, knew it deep in my empty chest - was how love gave someone the power to break you
The more I got to knew about Paganism the more Pagan I became, so to say, but I didn't really know enough until after the creation of Burzum.
The new midlife is where you realize that even your failures make you more beautiful and are turned spiritually into success if you became a better person because of them. You became a more humble person. You became a more merciful and compassionate person.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
The only real difference between a wise man and a fool, Moore knew, was that the wise man tended to make more serious mistakes—and only because no one trusted a fool with really crucial decisions; only the wise had the opportunity to lose battles, or nations.
As I became George professionally and everyone called me George, Yog became the name that people who knew me from before started to use. It became more valuable to me.
When Steve Wise told me that he intended to argue in court before a judge that an animal could be a "legal person," it seemed like a novel, possibly far-fetched idea, but the more I thought about it, the more I became intrigued.
My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing.
The more I learned about the use of pesticides, the more appalled I became. I realized that here was the material for a book. What I discovered was that everything which meant most to me as a naturalist was being threatened, and that nothing I could do would be more important.
Long ago, during my apprenticeship in the wine trade, I learned that wine is more than the sum of its parts, and more than an expression of its physical origin. The real significance of wine as the nexus of just about everything became clearer to me when I started writing about it. The more I read, the more I traveled, and the more questions I asked, the further I was pulled into the realms of history and economics, politics, literature, food, community, and all else that affects the way we live. Wine, I found, draws on everything and leads everywhere.
I'm persistent. In the early '60s, when I first started making the rounds in New York for theater work, I became more and more enraged every time I had an interview or audition that went nowhere, and became more determined. I haven't lost that.
This site uses cookies to ensure you get the best experience. More info...
Got it!