A Quote by Voltaire

Errors flies from mouth to mouth, from pen to pen, and to destroy it takes ages. — © Voltaire
Errors flies from mouth to mouth, from pen to pen, and to destroy it takes ages.
I am a man-pen. I feel through the pen, because of the pen.
If someone writes a great story, people praise the author, not the pen. People don't say, 'Oh what an incredible pen...where can I get a pen like this so I can write great stories?' Well, I am just a pen in the hands of the Lord. He is the author. All praise should go to him.
My pen.’ Funny, I wrote that without noticing. ‘The torch’, ‘the paper’, but ‘my pen’. That shows what writing means to me, I guess. My pen is a pipe from my heart to the paper. It’s about the most important thing I own.
Let me tell you what I look like: pale face, long hair, and a tiny start of a paunch. In addition, an awkward gait, and a cigar in the mouth and a pen in pocket or hand.
I've got a pen, and I've got a phone, and I can use that pen to sign executive orders and take executive action. I've got a pen to talk executive actions where congress won't. Where congress isn't acting, I'll act on my own. I have got a pen and I got a phone. And that is all I need.
First, consider the pen you write with. It should be a fast-writing pen because your thoughts are always much faster than your hand. You don't want to slow up your hand even more with a slow pen. A ballpoint, a pencil, a felt tip, for sure, are slow. Go to a stationery store and see what feels good to you. Try out different kinds. Don't get too fancy and expensive. I mostly use a cheap Sheaffer fountain pen, about $1.95.... You want to be able to feel the connection and texture of the pen on paper.
The pen is mightier than the sword, if you shoot that pen out of a gun
I write in pen because it works. A fountain pen is no good for writing in the way I do because I'd have to decide, each time I stopped, how long I was likely to stop for in order to know whether or not to put the cap on. But I never know. So instead, I use a ballpoint - a Montblanc, to be precise - the most comfortably balanced pen I've ever found.
I remember reading about a court case where a man tried to stab a judge with a pencil. There are Google pages full of similar instances around the world. It's obvious that the pencil lends itself to precisely that kind of use. It's not as lacking in dominance as you might think. I have an article on the fallacy of the designer intent because a lot of designers think they can design uses into technology. You can't do that. I use the pen, I make the mark, but the pen is also using me. The pen could be said to be allowing these kinds of marks. I can't do just anything with the pen.
Words are the pen of the heart, but music is the pen of the soul.
I am a creature of my pen. My pen is the best of me.
No one has invented a condom for the pen yet. My pen is still sexy.
When once the itch of literature comes over a man, nothing can cure it but the scratching of a pen. But if you have not a pen, I suppose you must scratch any way you can.
I'm usually busy - if you call me at the house, I get about four phone calls there a year - I'm usually running around the house with a pen in my mouth holding onto something, folding it, or doing something to it, and it's always a bad time.
I have a real aversion to machines. I write with a pen. Then I read it to someone who writes it onto the computer. What are those computer letters made of anyway? Light? Too insubstantial. Paper, you can feel it. A pen. There's a connection. A pen goes exactly at your speed, whereas that machine jumps. And then, that machine is waiting for you, just humming "uh-huh, yes?
Dumb. He should have gotten the pen. Jewelry was so public... and personal, which was why he'd bought it. He couldn't buy Eleanor a pen. Or a bookmark. He didn't have bookmarklike feelings for her.
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