A Quote by W. C. Fields
I write my scripts short and they develop on the set, which I have found a far better premise both economically and practically.
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I started writing because I wanted to write scripts, but I wasn't very good at it. Then I started writing short stories, sort of as treatments for the film scripts, and I found I enjoyed writing short stories far more than I enjoyed writing film scripts. Then the short stories got longer and longer and suddenly, I had novels.
I love making cheap films. I really do. What I've found is that I work better when it's both a fairly low budget and a short schedule. It focuses the mind, and it's a better atmosphere.
You can write when you're dyslexic, you just can't read it. But I started writing short stories as a child and I found the short story format a real nice one. I love short stories and I love short documentaries or short films of any kind.
I have, for a few years, been writing comedy prose - short pieces for my blog - because I found it to be a good way to write while I was on a TV show. It was different enough from my scripts that it felt like a break, but it still was comedy and very fun. I like to do comedy!
Books proliferate, and occasionally sell in very large numbers, which claim to have found the rule, or small set of rules, which will guarantee business success. But business is far too complicated, far too difficult an activity to distil into a few simple commands ... It is failure rather than success which is the distinguishing feature of corporate life.
When I write my scripts, there's a point at which if I'm not starting to see them visually, I feel like I'm kind of cheating. So my scripts are laden with a lot of visual description, which makes them not so much fun to read - I kind of weigh them down.
It is true that short forms of poetry have been cultivated in the Far East more than in modern Europe; but in all European literature short forms of poetry are to be found - indeed quite as short as anything in Japanese.
Both law and comedy are heavily focused on thought and viewing all angles. To write a good joke, you have to look at a premise every way possible. And with a good legal argument, you have to see all sides to get the best line of argument for your client. Law school made me a better comic, and comedy has made me a better public speaker.
I found, especially with stand-up, that if a premise works, you can make the joke work. If a premise doesn't work, you can't force it to.
I write scripts, I read scripts, I meet people who chat about their scripts. So honestly, I don't feel bad if I don't act in a film, as long as people are making great films.
Writing sustains me. But wouldn’t it be better to say it sustains this kind of life? Which doesn't mean life is any better when I don’t write. On the contrary, it is far worse, wholly unbearable, and inevitably ends in madness. This is, of course, only on the assumption that I am a writer even when I don’t write - which is indeed the case; and a non-writing writer is, in fact, a monster courting insanity.
A great many things have been pronounced untrue and absurd, and even impossible, by the highest authorities in the age in which they lived, which have afterwards, and, indeed, within a very short period, been found to be both possible and true.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
I wrote lots of scripts that never got made and they were terrible. I thought they were good at the time. You can't write two scripts and expect your career to take off. Keep writing. Be you. Be original. A lot of people go for a genre, which is fine if you can do that really well, but we all have such layered histories. We all come from a unique background. Write about your past, write about you. Or make stuff up, but make it about something that really matters.
[The United States and Israel] share many common objectives ... chief of which is the building of a better world in which every nation can develop its resources and develop them in freedom and peace.
Empires are synonymous with centralized if occasionally schismatized hierarchical power structures in which influence is restricted to an economically privileged class retaining its advantages through usually a judicious use of oppression and skilled manipulation of both the society's information dissemination systems and its lesser as a rule nominally independent power systems. In short, it's all about dominance.
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