A Quote by W. C. Fields
I like my films to influence the audience. Even if it means tripping their aged grandparents with a cane when they get home.
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Though not into films, my family was associated with films. My grandparents financed films. They didn't like me getting into films. But, destiny willed it so.
They call it 'falling in love' because it's less like stepping and more like tripping. Tripping is the part where you're still trying to remain upright
If you told me thirty years ago that people would be parodying documentary films, I never would have believed it. It wasn't clear that the films themselves even had an audience, let alone an audience for parodies of them.
Prediction just means you saw where the world might be going: ho-hum. Influence, though - ah. Influence, direct and acknowledged, means you actually steered the world, even if only a tiny bit.
The task is to influence and create a reaction in the audience. In my opinion, any reaction of a human being in the audience, I think this is great. It means we touched the person's soul.
Social media is a way to make communication easier. Obviously some people misunderstand it, some people take it personally, and some people are in a constant fight to grow their engagement. They even become obsessed. They feel like they need to be popular on social media. The most important thing is: You've got to be secure in yourself. In order to have influence on other people, you've got to know who you are, first of all. The reason I get happy when I get more engagement is because that means I did something right in terms of my audience enjoying my content.
The movies I make - the goal isn't a mass audience. They're not expensive films. So the attempt is to reach a much more limited audience - one would say an audience that enjoys films that challenge them emotionally and intellectually.
Hollywood was a good influence because I was madly in love with films, and the films had a direct influence on me.
Hatsuharu Sohma: [after tripping Kyo] If I hadn't had tripped you, you wouldn't have stopped now would you. [addressing the audience] Hatsuharu Sohma: By the way what I just did was very dangerous. And if it had been anyone but Kyo they probably would have been hurt pretty badly, so don't try it at home. Kyo Sohma: Don't try it here and who are you even talking to?
I firmly believe that emotions are universal, and I know that when they connect with the audience, it works. There is no such thing as an entertaining or a serious film; there are good films and bad films. Good films will always find a vast audience.
Our films tremendously influence people. But at the same time, no one goes to the cinema to listen to lectures, so if you have an interesting story, and if you can showcase it as a film, and its messages are good, then it's like an icing on the cake: it shall be a superhit. And if I get those kind of films, I'll definitely want to work on it.
Being part of 'Natural Nylon' is a great way to have an influence on the films that get out there. I love films and it gives me an input.
I don't believe in preachy films. I don't like such films. Having said that, I don't even enjoy films that only 'entertain.' That way, even the circus entertains.
Being a rock musician is already like ego-tripping hardcore. You're self-consumed, and you're always thinking. It's really easy to say, "I'm going to write a song about this situation, and when I'm done, everyone will care." To everybody else, that's ego-tripping.
I have done many comedy films. Success of films like 'Partner,' 'Singh is Kinng' gets you to a very wide audience reach. But for greater gains, you need to take greater gambles. If it works, you get respect and recognition.
I had begun my career with emotional films - Rajasthani film 'Bai Chali Sasariye.' Later I did several films as a heroine, and made the audience cry a lot. I even did action films, where I would play a dacoit or a police officer.
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