A Quote by W. D. Snodgrass

You must call up every strength you own
And you can rip off the whole facial mask. — © W. D. Snodgrass
You must call up every strength you own And you can rip off the whole facial mask.
I mask every single day. I mask every morning - since I was 27 years old. I don't care the brand: it can be from the drugstore or high end. I can be walking my dog in the mask scaring children and people off, but it's my routine that I commit to every single day.
Last Halloween a kid tried to rip my face off. He thought it was a mask. Now it's different when I open the door the kids hand me candy.
What do you think?" I whisper to Peeta. "About the fire?" "I'll rip off your cape if you'll rip off mine," he says through gritted teeth.
Even if you close your eyes, you'll still hear Donald Trump sniffing. Linguists might call [these visuals] paralinguistics, every form of information including facial gestures and facial features. Obviously these things get scrutinized in tremendous detail, so that a cough can be of outsized importance. [But] that's all part of the package.
The Mask "Put off that mask of burning gold With emerald eyes." "O no, my dear, you make so bold To find if hearts be wild and wise, And yet not cold." "I would but find what's there to find, Love or deceit." "It was the mask engaged your mind, And after set your heart to beat, Not what's behind." "But lest you are my enemy, I must enquire." "O no, my dear, let all that be, What matter, so there is but fire In you, in me?"
Bob Dylan started out as a folk rip- off but he quickly ran with complex influences and it ended up to be his own sound.
Hank Williams seemed, like, so total to me, so committed to the lyric. He would actually rip the ends of the words off at the, you know - the end of the sentence. It sounded like he'd bite into the word and rip it off.
With only one life to live we can't afford to live it only for itself. Somehow we must each for himself, find the way in which we can make our individual lives fit into the pattern of all the lives which surround it. We must establish our own relationships to the whole. And each must do it in his own way, using his own talents, relying on his own integrity and strength, climbing his own road to his own summit.
Strength must build up, not destroy. It should outdo itself, not others who are weaker. Used without responsibility, it causes nothing but harm and death. I can lift the heaviest weights, but I can not take the responsibility off my shoulders. Because the way we use our strength defines our fate. What traces will I leave on my path into the future? Do we really have to kill in order to live? My true strength lies in not seeing weakness as weakness. My strength needs no victims. My strength is my compassion.
My beauty regimen is simple but concise: I exfoliate my face once a week, then cleanse. If my skin needs an extra boost, I use SK-II Facial Treatment Mask and SK-II Eye Mask for about 20 minutes. It's the best thing for a healthy, glowing complexion.
You're allowed to rip-off another score so close that it's ridiculous. In my opinion it's ridiculous, how closely one can just rip-off a score that happened a year or two earlier.
It was a dance of masks and every mask was perfect because every mask was a real face and every face was a real mask so there was no mask and there was no face for there was but one dance in which there was but one mask but one true face which was the same and which was a thing without a name which changed and changed into itself over and over.
How do men feel whose whole lives (and many men's lives are) are lies, schemes, and subterfuges? What sort of company do they keep when they are alone? Daily in life I watch men whose every smile is an artifice, and every wink is an hypocrisy. Doth such a fellow where a mask in his own privacy, and to his own conscience?
If someone else made 'Up in the Air' or 'Thank You For Smoking' or 'Juno,' I would have wanted to rip their head off. I need that same sort of passion for every project I take on.
Now the whole point about machines is they are designed not to be random. When you call up a word processing program on your computer, you don't want it to be different every time you call it up. You want it to stay the same.
As for facial hair, I think I decided it was a good look after graduate school. I always shave it myself and trim my own beard. I change the look depending on the role. For 'Million Dollar Baby,' I had no facial hair. For 'Men in Black 3,' I had no facial hair but did wear a wig.
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