A Quote by W. E. B. Du Bois

All art is propaganda...I do not care a damn, for any art that is not used for propaganda. — © W. E. B. Du Bois
All art is propaganda...I do not care a damn, for any art that is not used for propaganda.
All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
All art is propaganda. It is universally and inescabably propaganda; sometimes unconsciously, but often deliberately, propaganda.
Art and propaganda have this much connection, that if a propaganda makes art impossible, it is clearly damned.
Among some of the organized methods used to control the world is the thing known and called PROPAGANDA. Propaganda has done more to defeat the good intentions of races and nations than even open warfare. Propaganda is a method or medium used by organized peoples to convert others against their will. We of the Negro race are suffering more than any other race in the world from propaganda... propaganda to destroy our hopes, our ambitions and our confidence in self.
All art is propaganda; on the other hand, not all propaganda is art.
All art is propaganda. ... The only difference is the kind of propaganda. Since art is essential for human life, it can't just belong to the few. Art is the universal language, and it belongs to all mankind. All painters have been propagandists or else they have not been painters. ... Every artist who has been worth anything in art has been such a propagandist. ... Every strong artist has been a propagandist. I want to be a propagandist and I want to be nothing else. ... I want to use my art as a weapon.
I very much enjoyed Leo Tolstoy's What is Art? I can't quote it, it's been a while, but at the end of the day, the idea is that "art that does good in the world is art, and what doesn't is not. It's propaganda or something else. It's bad."
It is arguable that the success of business propaganda in persuading us, for so long, that we are free from propaganda is one of the most significant propaganda achievements of the twentieth century.
We have to stop the propaganda, the shameful propaganda used by Kremlin to rehabilitate these old types.
This is the secret of propaganda: To totally saturate the person, whom the propaganda wants to lay hold of, with the ideas of the propaganda, without him even noticing that he is being saturated.
Art is not boosterism, it's not propaganda, and it's not spin, but that's not something that art does, and nor has it historically ever done it.
A war film can be propaganda and they're very valuable as propaganda, as we realized in Britain in the Second World War. Film as propaganda is a very valuable tool. It can also demonize, which is the dangerous side of a war film as propaganda. But there are war films that are not propaganda. It's just saying 'This is what it's like.' For 99 percent of us we don't know what it's like. We have no idea. So to reveal that to the audience is powerful.
The United States has it's own propaganda, but it's very effective because people don't realize that it's propaganda. And it's subtle, but it's actually a much stronger propaganda machine than the Nazis had but it's funded in a different way.
The United States has its own propaganda, but it's very effective because people don't realize that it's propaganda. And it's subtle, but it's actually a much stronger propaganda machine than the Nazis had but it's funded in a different way.
The person who imagined that he could not be the victim of propaganda because he could distinguish truth from falsehood, is extremely susceptible to propaganda, because when propaganda does tell the truth, he is then convinced that it is no longer propaganda: moreover, his self-confidence makes him all the more vulnerable to attacks of which he is unaware.
Art is about freedom of expression, and should not be molded to fit any propaganda or lofty ideal.
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