A Quote by W. Eugene Smith

I try to take what voice I have and I give it to those who don’t have one at all. — © W. Eugene Smith
I try to take what voice I have and I give it to those who don’t have one at all.
There was a whole cut of the movie where Tom Holland decided to try a woman's voice for the voice of Chucky, proceeding from the logic that it worked with Mercedes McCambridge voicing the voice of Satan in "The Excorsist" so he thought he would give it a try. It didn't really work. Chucky just sounded kind of gay.We brought that back in Seed of Chucky.
I try to please people, to give them a good time, but I refuse to make my act conform to traditional show-biz standards of entertainment. There's a little voice that says, 'Oh, no, you can't do that, that's breaking all the rules.' That's the voice of show business. Then this other little voice says, 'Try it.' And most of the time, when the voice comes on and says, 'No,' that's the time it works.
Take the emotional temperature of those listening to you. Facial expressions, voice inflection and posture give clues to a person's mood and attitude.
I try to give a voice to teens, who might be afraid to speak up about difficult issues, and a platform for parents and teachers to have frank, meaningful discussions with those young people.
The voice doesn't take a lot of effort now, but in the beginning it was hard to try to find a voice. The one I settled on was just easier to do for a half-hour.
There is a legitimate concern about wealth distribution in the United States, but the answer is not to scapegoat any individual who makes over $200,000 per year and to try to sell the fraud that the government can equitably take the money of those who have earned it and give it to those who haven't.
Neutrality is for referees in a football game. You have to take a stand. The really, really good journalists always take a stand with those who have no power, with those who have no rights, and with those who have no voice.
I love doing voice-overs; I wish I could do more of them. It's a lot of fun to see how they take the voice and animate it and try to capture your own expressions and features. It's fascinating.
So your job as a director is to constantly try to stay at the steering wheel and pull it hard left or hard right. To try to give it a voice.
Something like Deckard Cain is great; it doesn't ruin your voice. But games that involve violence or battle or mutating and stuff like that really does take a toll on your voice. And I've even had to start to go to a voice guru kind of guy to do exercises to try to save and get back some of what I lost.
I think the best advice I give is to try not to write. Try not to overwrite, try not to make it sound too good. Just use your own voice. Use your own style of putting it down.
I have an opportunity to give a voice to those who have no voice. Even though film production wasn't a bucket list item for my life, what I have been passionate about is creating change and impacting society - especially bringing conversations forward on formerly taboo subjects.
If I've been hurt, I'm not one of those people who can hide it or bury it deep within. I give myself time to work through it, cry, journal, pray, call my best friends. Then I try to take a step back and get perspective. I try to remind myself of all the positive things in my life and do my best to let it go.
I tell everybody, I get so much because I give so much. I give freely, I give all my time, give all my money, give all of my soul. I try to motivate people. I try to inspire them.
I've always felt that as long as I was able, I was supposed to give all I've got to ensure a healthy and loving legacy for those still to come, and especially for those with no voice.
Even if your family isn't quite there for you, find the people that support you and hang on to those people and try to let go of those that try to take you down.
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