A Quote by W. G. Sebald

In school I was in the dark room all the time, and I've always collected stray photographs; there's a great deal of memory in them. — © W. G. Sebald
In school I was in the dark room all the time, and I've always collected stray photographs; there's a great deal of memory in them.
I never went to school for that. In high school we had photography, which was great. That was another moment of discovery. I had a great teacher - I can't even remember her name now. I ended up going to boarding school for my last high school years and they had a dark room there. Of course there was curfew; you were supposed to be in bed at a certain time. But I would sneak out and sneak into the dark room and work all night.
My older brothers always collected comics and read them. When we were little, Robin and I would sneak into their room and take them and read them.
I was in depression. I was in my room, dark every night, not wanting to talk to nobody, not going out with my friends, not doing anything, not having a great time. It was a lot of dark nights.
Though infested with many bewildering anomalies, photographs are considered our best arbiters between our visual perceptions and the memory of them. It is not only their apparent 'objectivity' that grants photographs their high status in this regard, but our belief that in them, fugitive sensation has been laid to rest.
I have to deal with seven ex-stray dogs, and one ex-stray cat. One dog is nearing nineteen years old. Before I go to teach, he likes for me to tell him bedtime stories.
There is an eternal conflict between the school-room and the bar-room. The school-room makes men, the bar-room destroys them.
I get afraid of the dark if I'm in a great deal of dark, and I have to move around inside of that fear... But there is a chance that something... will talk to me from the dark, so I have... to be prepared for that communication, which has happened.
I've always been so interested in both the visual beauty of mollusks and the tactile feel of them. As a kid, I collected them all the time.
All photographs are about light. The great majority of photographs record light as a way of describing objects in space. A few photographs are less about objects and more about the space that contains them. Still fewer photographs are about light itself.
Each minute bursts in the burning room,The great globe reels in the solar fire,Spinning the trivial and unique away.(How all things flash! How all things flare!)What am I now that I was then?May memory restore again and againThe smallest color of the smallest day:Time is the school in which we learn,Time is the fire in which we burn.
I remember the one time, when I was in the 10th grade and the school president, my entire school had surprised me with a birthday song during the morning assembly. It will always be a very special memory!
Appealing workplaces are to be avoided. One wants a room with no view, so imagination can meet memory in the dark.
Words. I had always loved them. I collected them, like I had collected pretty stones as a child. I liked to roll words over my tongue like a lump of molten honeycomb, savouring the sweetness, the crackle, the crunch.
It is wonderful how preposterously the affairs of the world are managed. We assemble parliaments and councils to have the benefit of collected wisdom, but we necessarily have, at the same time, the inconvenience of their collected passions, prejudices and private interests: for regulating commerce an assembly of great men is the greatest fool on earth
Some of the people who are now manipulating photos, such as Andreas Gursky, make the argument - rightly - that the 'straight' photographs of the 1940s and 50s were no such thing. Ansell Adams would slap a red filter on his lens, then spend three days burning and dodging in the dark room, making his prints. That's a manipulation. Even the photographs of Henri Cartier-Bresson, with all due respect to him, are notoriously burned and dodged.
On from room to room I stray,Yet mine Host can ne'er espy,And I know not to this day,Whether guest or captive I.
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