A Quote by W. G. Sebald

I always read the translator's draft all the way through - a very laborious business. — © W. G. Sebald
I always read the translator's draft all the way through - a very laborious business.
A translator is essentially a reader and we all read differently, except that a translator's reading remains in unchanging print
The translator has to be a good writer. The translator has to hear music too. And it might not be exactly your music because the translator needs to translate the music. And so, that is what you are hoping for: a translator who gets what you are doing but who also gets all the ways in which it won't work in the new language.
And I always read the English translation and always have conversations with my translator, for example about the names. I always have to approve it.
I am a technophile, so there is no such thing as a first draft. The first draft plunges on, and about a quarter of the way through it I realise I'm doing things wrong, so I start rewriting it. What you call the first draft becomes rather like a caterpillar; it is progressing fairly slowly, but there is movement up and down its whole length, the whole story is being changed. I call this draft zero, telling myself how the story is supposed to go.
So give yourself that chance to put together the 80, 90 pages of a draft and then read it very in a nice little ceremony, where you're comfortable, and you read it and make good notes on it, what you liked, what touched you, what moved you, what's a possible way, and then you go about on a rewrite.
Writing the first draft of a new story is incredibly difficult for me. I will happily do revisions, because once I can see the words on the page, I can go about ripping them up and moving scenes around. A blank page, though? Terrifying. I'm always angsty when I'm working my way through a first draft.
It's important to get a translator who will ask the questions in a sensitive and thoughtful way. Knowing the ethnicity issues, the tribal issues in some places...who your translator is can mean a lot.
I don't know that I read more than the average person. I don't think I do very much. I tend to read more when I'm on holiday. That's when I can go through books like you wouldn't believe. I read a bit of everything, but the novel has always been very important to me.
A quotation is a handy thing to have about, saving one the trouble of thinking for oneself, always a laborious business.
You should always go through the first draft of a book all at once, I think, to get the best results. You can take time off after the first draft and come back to it fresh.
When Kirk dies it was very emotional and very strange, in the moment and all the way through the process. I'd read it in the script and I'd always be struck by what I'd just done and what we were doing, and that this was my childhood hero and I was writing his death.
To me a translator is very, very important. If the fixer is also the translator, so much the better. I have known photographers who didn't speak the language and would work in a place for weeks without one, getting by on common sense and smiles. But how many situations did they miss because they couldn't talk to someone and get the back story on details, small daily life things, etc.
I'm feeling like the music business is reaping what it's sown. It's going through what inevitably it was going to go through. It was a very decadent, very glamorous business that took advantage of a lot of people for a long time and didn't do things right and had a poor business model.
I think that being an editor, someone who works with words, is very good training for being a translator because it trains you to be attentive to words in a very specific, very concrete, very literal way.
Some writers sit down without a thought of what they are going to say, and they go through draft after draft.
The translator of prose is the slave of the author, and the translator of poetry is his rival.
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