A Quote by W. G. Sebald

Unlike Conrad or Nabokov, I didn't have circumstances which would have coerced me out of my native tongue altogether. — © W. G. Sebald
Unlike Conrad or Nabokov, I didn't have circumstances which would have coerced me out of my native tongue altogether.
You see, I, unlike you, have been made a prefect, which means that I, unlike you, have the power to hand out punishments.” “Yeah,” said Harry, “but you, unlike me, are a git.
No matter what your native tongue is, no matter what part of the world you're from, if your native tongue is distorted with an accent, somehow that's always funny.
Since its inception, the government has broken and coerced treaties with hundreds of Native American tribes. And this is even worse when you realize that the native peoples of this land are negotiating for land that is, by all common sense and elementary school logic, their land.
Unlike private enterprise which quickly modifies its actions to meet emergencies - unlike the shopkeeper who promptly finds the wherewith to satisfy a sudden demand - unlike the railway company which doubles its trains to carry a special influx of passengers; the law-made instrumentality lumbers on under all varieties of circumstances at its habitual rate. By its very nature it is fitted only for average requirements, and inevitably fails under unusual requirements.
Of course, both [Oscar] Wilde & [Vladimir] Nabokov believe in many things, and these things emerge in their writing clearly - for Wilde, the folly of humankind and the (romantic) grandeur of the heroic, lone individual (not unlike Wilde himself); for Nabokov, the possibility of a kind of transcendence through a great, prevailing, superior sort of love (especially in Ada, the most self-congratulatory of novels.)
Control of the tongue! Vital for the man who would try to tread the Path, for no harsh or unkind word, no hasty impatient phrase, may escape from the tongue which is consecrated to service, and which must not injure even an enemy; for that which wounds has no place in the Kingdom of Love.
It is considered in England and the United States that the Government of South Africa is altogether too harsh with its native peoples. It is sadly humorous to notice that the native in South Africa, however, holds an exactly reverse opinion and the fault he finds with the South African Government is that it is far too lenient in its administration of laws throughout the native populace.
I am a naturalized U.S. citizen, which means that, unlike native-born citizens, I had to prove to the U.S. government that I merited citizenship.
For a Nabokov fan, paging through 'Fine Lines,' which includes a critical introduction and several essayistic evaluations of Nabokov's scientific oeuvre, can feel a bit like reading the second half of 'Pale Fire': one is confronted by a content-rich, almost dementedly tangential commentary on an increasingly inscrutable work.
For me, chess is a language, and if it's not my native tongue, it is one I learned via the immersion method at a young age.
With that, I splashed some water on my face, fixed on a smile, and stepped out. I would find Jerome. I would make him explain to me what I was missing. We would laugh, then we would kiss with tongue, and all would be well.
The perfect life, the perfect lie, I realised after Christmas, is one which prevents you from doing that which you would ideally have done (painted, say, or written unpublishable poetry) but which, in fact, you have no wish to do. People need to feel that they have been thwarted by circumstances from pursuing the life which, had they led it, they would not have wanted; whereas the life they really want is precisely a compound of all those thwarting circumstances.
I hold 'Mi Tierra,' my first Spanish-language album, very close to me because that was all done in my native tongue and won me my first Grammy.
Facts are God’s native tongue.
Translated literature can be fascinating. There's something so intriguing about reading the text second hand - a piece of prose that has already been through an extra filter, another consciousness, in the guise of the translator. Some of my favorite writers who have written in English were doing so without English being their first language, so there's a sense of distance or of distortion there, too. Conrad. Nabokov. These writers were employing English in interesting ways.
Modern man is staggering and losing his balance because he is being pelted with little pieces of alleged fact which are native to the newspapers; and, if they turn out not to be facts, that is still more native to newspapers.
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