A Quote by W. H. Auden
Precisely because we do not communicate by singing, a song can be out of place but not out of character; it is just as credible that a stupid person should sing beautifully as that a clever person should do so.
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I read a comment that made me think I should stop singing for a while. And I didn't want to stop singing, because it was the only thing I loved. At first I thought, "Maybe I'll get better and eventually please the person who wrote about my singing." But then I thought, "I probably will never please this person. I should just do what pleases me."
If a person is stupid, we excuse him by saying that he cannot help it; but if we attempted to excuse in precisely the same way the person who is bad, we should be laughed at.
I noticed with older songs that I perform that I'm coming from a different place with them now...it mutates the vibe and even the meaning of the same words when you have a different spirit, if the person singing is different. I like that, to be able to sing an emotionally wrought song from a more centered place, or to sing an eager, youthful song from a more experienced place. It kind of colors the songs differently, and it keeps them fresh.
[Best original song nomination in 2016] should be Wiz Khalifa for "See You Again," but this is an amazing song and it's easily the biggest song out of any of the songs nominated. It was a huge hit. And really, I'm just happy for Weeknd as a person.
I think you should identify with your character, but plenty of people like themselves and hate themselves. You just have to find out what's truthful for the person you're playing. When people talk about that, I think what they're saying is that as an actor, as Peter, you don't want to make a judgment that comes from your worldview about the character. Your judgments should be coming from the place of the character, and within that space, sure, you could love or hate yourself or whatever you think is most appropriate.
Why should a person come to the cross? Why should a person embrace death? With Christ? Because it's the only way that God can get glory out of a human being!
I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or 'Sherry,' I should be able to do that. Or a Dylan song.
I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or Sherry, I should be able to do that. Or a Dylan song.
If the ability to tell right from wrong should turn out to have anything to do with the ability to think, then we must be able to "demand" its exercise from every sane person, no matter how erudite or ignorant, intelligent or stupid, he may happen to be. Kant in this respect almost alone among the philosophers was much bothered by the common opinion that philosophy is only for the few, precisely because of its moral implications.
Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen.
No one should be judged by their defects. The great virtues a person has are his or her especially. But their errors are the common weakness of humanity and should never be counted in estimating a person’s character.
Mr. [Aldous] Huxley has been the alarming young man for a long time, a sort of perpetual clever nephew who can be relied on to flutter the lunch party. Whatever will he say next? How does he think of those things? He has been deplored once or twice, but feeling is in his favor: he is steadily read. He is at once the truly clever person and the stupid person's idea of the clever person; he is expected to be relentless, to administer intellectual shocks.
Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.
I think I hid my singing talent from a lot of my friends at school because I didn't want to alienate anyone. If everyone was singing along in the car to a Madonna song, I didn't join in because when we're younger we're afraid of sticking out or showing off, when in fact we should own those things that make us really unique.
The song is celebrating someone's life. When someone passes, you should focus on all the good that that person has done, and try not to really think about the fact that they're not gonna be on this earth any longer, that they had an effect on you and your lives, and that's what you should take out.
It's always exciting when you work on a show that's written by one person because you know that their vision is so specific. I need to find out why this person has chosen these words to communicate this thought.
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