A Quote by W. H. Auden
At first critics classified authors as Ancients, that is to say, Greek and Latin authors, and Moderns, that is to say, every post-Classical Author. Then they classified them by eras, the Augustans, the Victorians, etc., and now they classify them by decades, the writers of the '30's, '40's, etc. Very soon, it seems, they will be labeling authors, like automobiles, by the year.
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The diplomatic thing for me to say is that if publishers are dressing up other authors as Terry Pratchett clones then they are doing a disservice to those authors. If they didn't dress them as clones but did something different, then those authors could be pioneering in a different sense.
It is easy to club people together, but there are bound to be influences of authors you've read. I grew up reading fast paced authors such as Sidney Sheldon and Jeffrey Archer, but to say I'm one of them isn't true; my style is intrinsically my own.
People often ask authors where their ideas come from, and often authors say they don't know. But I do know about this one. Once upon a time, my wife and I had three small children -- two boys and a girl, just like in the story. And when they were young, we used to tell them a story very like YOU'RE ALL MY FAVORITES.
Are my characters copies of people in real life? ... Don't ever believe the stories about authors putting people into novels. That idea is a kind of joke on both authors and readers. All the readers believe that authors do it. All the authors know that it can't be done.
People would react to books by authors like James and Austen almost on a gut level. I think it was not so much the message, because the best authors do not have obvious messages. These authors were disturbing to my students because of their perspectives on life.
In England only uneducated people show off their knowledge; nobody quotes Latin or Greek authors in the course of conversation, unless he has never read them.
Teachers and librarians can be the most effective advocates for diversifying children's and young adult books. When I speak to publishers, they're going to expect me to say that I would love to see more books by Native American authors and African-American authors and Arab-American authors. But when a teacher or librarian says this to publishers, it can have a profound effect.
As 99 per cent of English authors and 100 per cent of American ones [authors] are just such imbeciles, managers and publishers make a practice of asking for every right the author possesses.
Authors also create lovable, friendly characters, then proceed to do terrible things to them, like throw them in unsightly librarian-controlled dungeons. This makes readers feel hurt and worried for the characters. The simple truth is that authors like making people squirm. If this weren't the case, all novels would be filled completely with cute bunnies having birthday parties.
I think the first important thing is that usually most textbooks are not written by their authors. And so by author I mean the people who did not write them; so it's a new definition of "author."
The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
Take away from English authors their copyrights, and you would very soon take away from England her authors.
I like to read biographies of authors that I love, like Richard Yates. I also like to see what non-fiction authors are out there. My bible is Something Happened. It's one of the greatest books I've ever read. But if I don't read a Dostoevsky soon I'm going to kill myself.
What a heartbreaking job it is trying to combine authors for their own protection... the first lesson I learned was that when you take the field for the authors you will be safer without a breastplate than without a backplate.
Abstracts, abridgments, summaries, etc., have the same use with burning-glasses,--to collect the diffused light rays of wit and learning in authors, and make them point with warmth and quickness upon the reader's imagination.
In practice, the copyright system does a bad job of supporting authors, aside from the most popular ones. Other authors' principal interest is to be better known, so sharing their work benefits them as well as readers.
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