The ear tends to be lazy, craves the familiar and is shocked by the unexpected; the eye, on the other hand, tends to be impatient, craves the novel and is bored by repetition.
The eye likes novelty, but the ear craves familiarity.
Your soul craves truth, beauty, wonder, love. Your soul craves to dream, to imagine, and even simply to understand. Your soul craves to connect, to commune, to create.
I look at pastries and cakes, tarts and pies. My body craves sugar, always craves sugar. Years of alcohalism and the high level of sugar in alcohal created the craving, which I feed with candy and soda.
The eye solicited alone makes the ear impatient, the ear solicited alone makes the eye impatient. Use these impatiences. Power of the cinematographer who appeals to the two senses in a governable way. Against the tactics of speed, of noise, set tactics of slowness, of silence.
Nature is the armory of genius. Cities serve it poorly, books and colleges at second hand; the eye craves the spectacle of the horizon; of mountain, ocean, river and plain, the clouds and stars; actual contact with the elements, sympathy with the seasons as they rise and roll.
I claim neither liberalism nor conservatism - one tends to be airheaded while the other tends to be brickheaded.
What tends to happen in most movies is that strip clubs are used as a short hand for unsympathetic, sleazy people. And that's just a lazy cliché.
If you try to give an on-the-one-hand-or-the-other- hand answer, only one of the hands tends to get quoted.
Wealth tends to create enemies, whereas knowledge tends to warm hearts.
...a mind, if given only the best food never craves any other.
A thing is right when it tends to preserve the integrity, stability and beauty of the biotic community. It is wrong when it tends otherwise.
What is familiar tends to become a value.
The point really is that a writer tends to write a book that he or she tends to write. It's as simple as that. Of course, it's important to make a living and all that, but the main impulse as far as I'm concerned - and I'm sure as other writers are concerned - is to tell a story that I feel impelled by.
This is what Hollywood tends to do. It tends to disregard tradition, history and anything factual, twisting it and turning it and making it all okay regardless of what the English may think of it.
Designs that have a whiff of complex impenetrability tends to suggest big, complicated ideas. Academic writing tends to work the same way, I understand.
Government relief tends constantly to get out of hand. And even when it is kept within reasonable bounds it tends to reduce the incentives to work and to save both of those who receive it and of those who are forced to pay it. It may be said, in fact, that practically every measure that governments take with the ostensible object of 'helping the poor' has the long-run effect of doing the opposite.