A Quote by W. H. Auden
The countenances of children, like those of animals, are masks, not faces, for they have not yet developed a significant profile of their own.
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All the children had to wear a gas mask in case of a gas attack by the Germans. They tried to make the masks like Mickey Mouse faces so the children would like them. But I didn't. They had big ears on them.
Community [is] a group of individuals who have learned how to communicate honestly with each other, whose relationships go deeper than their masks of composure, and who have developed some significant commitment to "rejoice together, mourn together," and to "delight in each other, make others' conditions our own.
Ensor sees with his imagination, but his vision is perfectly accurate, of an almost geometric precision. He is one of the very few who can really see. Like you, he has an obsession with masks; he is a seer as you and I are. The common herd, of course thinks that he is mad.*****************You shall see what sort of man Ensor is, and what a marvellous insight he has into the invisible realm where our vices are created... those vices for which our faces make masks.
Today, Israel is stronger than ever. Israel has defensive tools of its own - those developed in the past and those developed today and those that will be developed tomorrow.
Stephen Blackpool fall into the loneliest of lives, the life of solitude among a familiar crowd. The stranger in the land who looks into ten thousand faces for some answering look and never finds it, is in cheering society as compared with him who passes ten averted faces daily, that were once the countenances of friends
Man is not like other animals in the ways that are really significant: Animals have instincts, we have taxes.
All of childhood's unanswered questions must finally be passed back to the town and answered there. Heroes and bogey men, values and dislikes, are first encountered and labeled in that early environment. In later years they change faces, places and maybe races, tactics, intensities and goals, but beneath those penetrable masks they wear forever the stocking-capped faces of childhood.
The lower animals, like man, manifestly feel pleasure and pain, happiness and misery. Happiness is never better exhibited than by young animals, such as puppies, kittens, lambs, &c., when playing together, like our own children.
I think it's very important to support those who can't help themselves - children, animals - and especially to do so in your own neighborhood.
So often when you start talking about kindness to animals someone comments that starving and mistreated children should come first. The issue can't be divided like that. It isn't a choice between children and animals. It's our duty to care for both. Kindness is the important thing. Kids and animals are our responsibility.
The ruling British elite are like animals--not only in their morality, but in their outlook on knowledge. They are clever animals, who are masters of the wicked nature of their own species, and recognize ferally the distinctions of the hated human species. Nonetheless, obsessively dedicated to being such animals, they can not [sic] assimilate those qualities unique to true human beings.
99% of our uses of animals, including our numerically most significant use of them for food, do not involve any sort of necessity or any real conflict between human and nonhuman interests. If animals matter morally at all, then, even without accepting a theory of animal rights, those uses of animals cannot be morally justified.
In western culture, we have ignored death. We're running the other way - everything is about life and youth. So, there's something resonant about walking around with our own death masks. Zombies are the visible embodiment of death staring at us with our own faces.
Harvey wasn't interested in the clothes, it was the masks that mesmerized him. They were like snowflakes: no two alike. Some were made of wood and of plastic; some of straw and cloth and papier-mâché. Some were as bright as parrots, others as pale as parchment. Some were so grotesque he was certain they'd been carved by crazy people; others so perfect they looked like the death masks of angels. There were masks of clowns and foxes, masks like skulls decorated with real teeth, and one with carved flames instead of hair.
Masks are what they seem to be; not so the faces beneath them.
Many things that human words have upset are set at rest again by the
silence of animals. Animals move through the world like a caravan of
silence. A whole world, that of nature and that of animals, is filled
with silence. Nature and animals seem like protuberances of silence.
The silence of animals and the silence of nature would not be so great
and noble if it were merely a failure of language to materialize.
Silence has been entrusted to the animals and to nature as something
created for its own sake.
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