A Quote by W. I. Thomas

If a person perceives a situation as real, it is real in its consequences. — © W. I. Thomas
If a person perceives a situation as real, it is real in its consequences.
With some CGI, I think the brain slightly perceives that things aren't real. There's no gravity, the light's not quite real, the shadows aren't quite real.
I started realizing that one of the great things about opera is that if you make the right kind of story, you can still have this kind of abstract subliminal quality to take you on a journey, but you can root it just enough in a particular situation, a particular kind of real situation that a person might have, or a particular context in the real world.
We not only need a rapid transition to a low-carbon economy that prevents the most cataclysmic consequences of global warming, we need real dollars and real planning for coastal protection to combat the consequences that are already inevitable.
Real person. real name. I won't divulge too much, but it's not a fake name. And it's not a fake person. I guess that's the best answer I can say: It's not a fake name and it's not a fake person. But it's not her real name and it's not a real person either.
I think that's why I'm an actor: so I can tell those stories without having to really live through those stories with real consequences and real stakes, real responsibility.
In Australia, average temperatures have risen almost one degree since 1910, and each decade since the 1940s has been warmer than the one before. That warming is real. Its consequences are real. And it will change our lives in real and practical ways.
Any president's actions have real consequences in real people's lives.
To me a real patriot is like a real friend. Who's your real friend? It's the person who tells you the truth. That's who my real friends are. So, you know, I think as far as our country goes, we need more people who will do that.
It is not important whether or not the interpretation is correct — if men define situations as real, they are real in their consequences.
I often feel that with a crime story, the moral standards have to be higher. You're deal with real victims and with real consequences.
If you offshore, if you telecommute, if you do anything to minimize your company's physical real estate, there are real consequences to its culture and cohesion.
I did this movie right after it about the life of Chet Baker. It's called Born to Be Blue. In that situation, there's a real clear character you're drawing on. It's a real person. It's really exciting and interesting to do the research to figure out how to make that a nuanced, three-dimensional human being.
The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.
When I come clean about my brokenness, others catch glimpses of how the real grace of a real God works in the messy life of a real person.
We can teach a good, formal lesson on forgiveness as a Christian virtue and all the doctrines that are attached to it. But to be in a real-life situation, a work camp or a trip or some other activity with young people where real forgiveness needs to happen, that's a different situation altogether. And that is where the deepest learning will occur.
You don't even know if the person you're communicating with online is actually that person. And your persona on your social media - your Facebook or Twitter - may not be the person you are in real life. So then, who is the real person? Is it somewhere in between?
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