A Quote by W. Kamau Bell

The jokes I was always attracted to, and that I would tell for the longest, were jokes where I cared about the subject. Whenever I wrote a joke where I didn't care, even if it was really funny, the third time I told it, it would lose steam.
I loved Omar Vizquel. He tells some really long jokes, and he has his own way of telling them, but he can make every joke very funny. He would always come up with jokes on the loudspeaker on the bus.
My dad is a really funny guy, and we would make jokes about my leukemia. When my friends would come over, we would joke about it, too.
Humor has the tendency to be funny once. If I tell you a joke, we're going to have a big laugh. But the second time I tell the joke, it's going to be a bit strange, and the third time you're going to ask if there's something wrong with me. So I am very cautious with jokes, but there is a lightness in my work.
I'm not good with jokes, no. I don't know a joke at all. I like being told jokes, but I can't tell one myself.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I'd buy joke books and try doing them at school; I always had jokes. That would be my go-to thing at parties: I'd be able to get through them if I just told enough jokes. Otherwise, I wouldn't end up talking to anybody.
I recently realized that I'm gender-fluid - I didn't even know that was a term until recently - but I have a strong effeminate side and identify with women in that way. Because women would make jokes and they were all really funny, but the straight male comics always said "faggot," or they had some really awful gay joke. And so it's like, I'm just going to watch the ladies because they don't - I'm sure there are, but I couldn't even tell you one woman comic that I've ever heard say the word "faggot."
I had a moment where I was onstage once... As a comedian, you just think, 'Be funny as possible all the time - like, funny at all costs - jokes, jokes, jokes.' That's how my mentality was.
The great thing about writing jokes for President Obama is that he is not afraid to tell jokes that are actually funny - and not just funny for a politician.
A lot of entertainment, and especially in a half-hour format, can be all jokes, all the time. And some of those jokes can be really, really funny, but what I respond to, as a viewers, is identification or caring about the characters.
I have some speakers up here, thank God, because last night I didn't have them and I was telling jokes and I had no idea which joke I was telling. So I told jokes twice. I even told that one twice.
Since my act is a goofy reflection of what's going on in my life, I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject. So when I started getting laughs, I started doing more material about it. When people come to see my shows, there are a lot of stoners in the audience, but there are also a lot of people who just like me. So I try to give a healthy mix, where people aren't going "There are too many jokes about pot!" or "There's not enough jokes about pot!"
Real racist jokes or sexist jokes aren't funny - not because they're offensive, but because they're not true. As soon as a joke is based on an untruth, it's not funny.
Sometimes, comics will make the observation that it's not jokes that are funny, it's characters that are funny. And isn't that true! That's why I always kill jokes. I'm terrible at them, because I get the joke right, but I can't get the character right, and it just goes down like a lead balloon.
I started doing pot jokes, and I noticed that audiences invariably love pot jokes. Even people who don't smoke pot think it's a funny subject.
I'm a joke comic. I tell jokes. I like writing a joke, and I like when a joke works, and I like other comics who tell jokes.
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