A Quote by W. P. Kinsella
[Mid-list writers are now] less greed on the part of both publishers and chain booksellers. It is easier for them to publish and sell only blockbusters and leave the real work to small presses.
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I think it is worse [in 2015] for a mid-list author such as myself. You either have to sell like Stephen King or go with the small presses where there is no money. I was lucky to have been in the right place and time for many years.
I was given the ability to create stories and characters. That's my part of the long chain of writers, publishers, agents, booksellers, librarians, and a host of others who eventually deliver literature to the world. I want to do for others what Eudora Welty did for me.
I started with small-press publishers, who were willing to publish all sorts of forms. I didn't move to the larger presses until they knew what they were getting in for.
I feel like a lot has changed - ebooks are a much more valid format and bigger presses are taking less chances. As a bookseller, there are less real bookstores and more people buying on-line. As a writer, I think there are fewer paths to break through on a big press, but on the other hand there are more small presses doing awesome work now. Overall, artistically, I think it's a pretty exciting time in the literary world.
I'm sure everyone knows now that only a few have performed in Madison Square Garden. That list is so small. Now I'm on that list. I'm a part of a very small group, which is unbelievable. You relish in that moment for a second.
Most fledgling and mid-list writers are lucky to be offered a 4-figure sum and are not only expected to deliver copy that needs minimal editing but also take an active part in marketing and publicizing their work.
I think publishers need to be the ones that publish the books and control that process: finding writers, helping them with their work, finding readers. I think writers need that.
The future of publishing lies with the small and medium-sized presses, because the big publishers in New York are all part of huge conglomerates.
It's easier to list Hollywood and TV people who don't have a radio show now, take less time to do that than to list those who do.
I think a lot of awesome stuff is coming out with smaller presses. Small presses don't have to have huge board meetings to talk about how to market their books or what to publish - they can take more chances. They can help new authors grow in a healthier, often more artistic way.
I don't know why the world has changed so much that writers are now expected to appear in public and talk about their work. It's something I find very difficult. And yet, one does have some sense of responsibility towards one's publishers, to the people trying to sell the book.
Except for a few small presses, most publishers are north of Ground Zero.
Like most new writers, I could only hope that one day one publisher might agree to publish one of my books; I couldn't imagine several publishers all wanting to buy the first book I'd written.
Once upon a time, an editor could try out one or two wacky books, knowing full well that their list would counterbalance any risk with a stable of best-sellers and safe bets. Nowadays, every book must earn its own bread. With low overheads and an often episodic operating status, the small independent press is nicely placed to snap up the most innovative literature going at the moment. To take the risks. Meaning that small presses are no longer just outfits set up to publish your or your friends' work. They have something genuinely important to offer.
The true experimenters are there but no-one hears about them - the critical/review system tends to concentrate on the handful of 'major' writers and their promising successors; bookshops tend not to sell them; publishers don't promote them. It's the same fate as has befallen poetry.
Kickstarter eliminates the risk that publishers and booksellers face. They have limited resources and limited shelf space, and Kickstarter is proof to them that something is going to work.
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