A Quote by W. P. Kinsella

In the 70s and 80s, I made a good living. Have managed my funds carefully, will never have to go out and cadge quarters from the tourists. — © W. P. Kinsella
In the 70s and 80s, I made a good living. Have managed my funds carefully, will never have to go out and cadge quarters from the tourists.
Prayer for many is like a foreign land. When we go there, we go as tourists. Like most tourists, we feel uncomfortable and out of place. Like most tourists, we therefore move on before too long and go somewhere else.
Even fans of actively managed funds often concede that most other investors would be better off in index funds. But buoyed by abundant self-confidence, these folks aren't about to give up on actively managed funds themselves. A tad delusional? I think so. Picking the best-performing funds is 'like trying to predict the dice before you roll them down the craps table,' says an investment adviser in Boca Raton, FL. 'I can't do it. The public can't do it.'
One of the things about me is that I actually had marginally middle-class living from writing. For years and years, I actually wrote so much through the '70s and '80s that I made a living. And very rarely have I had to take another job. And now it's impossible for anybody coming up to make such a living. They've pissed in the temple, you know?
With actively managed funds, people have big behavior problems. With funds that have done well, they put their money in, and when it has done bad, they want to take it out.
The U.S., like any other country, allows tourists into its borders in order to make money off them, and there's nothing wrong with that. Why give out tourist visas if you're not going to let tourists be tourists?
The moment artists can just do what they love to do then music will go right back to where it used to be. I mean back in the '60s and '70s and '80s, that's what it was.
If you go back in time to the '60s, the '70s, probably the early '80s, British professional wrestling was the most respected region of professional wrestling on the planet, and somewhere along the way that got lost and wrestlers were forced to America or Japan or even Mexico to make a living.
Melissa Caplan made my costumes from the 70s to the mid-80s. I was very influenced by futurism and reading a lot of Marge Piercy.
My childhood was pretty colorful; I like to use the word turbulent. But it was a great time to grow up, the '70s and '80s in Brooklyn, East Flatbush. It was culturally diverse: You had Italian culture, American culture, the Caribbean West Indian culture, the Hasidic Jewish culture. Everything was kind of like right there in your face. A lot of violence, you know, especially toward the '80s the neighborhood got really violent, but it made me who I am, it made me strong.
In Australia in the '70s, there was a real embrace of different genres. And then George Miller did 'Mad Max' by the end of the '70s, the beginning of the '80s. And it was really thriving.
In the '70s and '80s, if you said you wrote for 'the people,' that meant you weren't any good. But I think that's changing.
The coming cooling of the planet overall will return it to where it was in the '60s, '70s, and '80s.
There is much to be said against the climate on the coast of British Columbia and Alaska; yet, I believe that the scenery of one good day will compensate the tourists who will go there in increasing numbers.
I may not have become a good writer, but I managed to make a living out of writing.
I do have a lot of references coming out of the '60s, '70s, and '80s, but I don't consciously think, "I'm going to put this here and this there." It comes out of my unconscious, and I don't want it to be just retro.
My dad was a real working musician in the late '70s and early '80s. He had a band that was signed to Elektra/Asylum and they would perform at like Madame Wong's and Whiskey A Go Go all the time.
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