A Quote by W. P. Kinsella
Most writers are unhappy with film adaptations of their work, and rightly so. 'Field of Dreams,' however, caught the spirit and essence of 'Shoeless Joe' while making the necessary changes to make the work more visual.
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Serious writers pretend they don't care about film adaptations of their work, but it's a colossal lie: We all care.
An aspect of the work has to do with altering the literal/cultural meaning of existing public images by making minimal changes and additions. Using superimposition, juxtaposition and other contextual changes, I am functioning as a visual guerrilla.
I am a film director, and I work with a visual language, with a visual medium. And I try to make virtue of the use of this visual medium. And I try to make sure what I do speaks the language of cinema.
The more I learned about Shoeless Joe, the more I felt he was maligned.
I adore book-to-film adaptations when they're done well, and I'm more lenient than many readers when it comes to what counts as 'done well.' For me, the most important thing is that the film maintains the spirit of the original book.
If I go to a baseball game, I hear 'Shoeless Joe,' but otherwise, I hear 'toe pick' five times a day. No matter how many more movies I make, that'll be on my gravestone.
Most of the earth's inhabitants work to get by. They work because they have to. They didn't pick this or that kind of job out of passion; the circumstances of their lives did the choosing for them. Loveless work, boring work, work valued only because others haven't got even that much, however loveless and boring - this is one of the harshest human miseries. And there's no sign that coming centuries will produce any changes for the better as far as this goes.
Be guided by the Spirit. I have said so many times to my Brethren that the Spirit is the most important single element in this work. With the Spirit, and by magnifying your call, you can do miracles for the Lord in the mission field. Without the Spirit you will never succeed regardless of your talent and ability.
Read as much as possible, especially the work of writers who most deeply affect you. Make those writers your family. Never wait for inspiration to strike before getting to work; be disciplined and form the habit of writing every day.
I work with amazing organisations: I work with I'm A Performer With Disability, and I work with a clinic which tries to get opportunities for people with disabilities to work in the film and TV industry, and we're making strides, and they're making strides.
I have often said one of the greatest secrets of missionary work is work! If a missionary works, he will get the Spirit; if he gets the Spirit, he will teach by the Spirit; and if he teaches by the Spirit, he will touch the hearts of the people and he will be happy. There will be no homesickness, no worrying about families, for all time and talents and interests are centered on the work of the ministry. Work, work, work-there is no satisfactory substitute, especially in missionary work.
Writers who want to interfere with adaptations of their work are basically undemocratic. The book still stands as an entity on its own.
I was terrified to do 'G.I. Joe.' I had no idea how to do one of those movies. I was kind of scared. You know, if one of those doesn't work, it's a huge hit on your career. People are like, 'Well he couldn't make a $170 million movie work. I don't want him in my film.'
I wanted to write a film and I thought the best way to do so was to train myself within the field... It was just like a cycle of people trying to make it, not making it, doing extra work, and it was pretty depressing in the end.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
He is intangible and invisible. But His work is more powerful than the most ferocious wind. The Spirit brings order out of chaos and beauty out of ugliness. He can transform a sin-blistered man into a paragon of virtue. The Spirit changes people. The Author of life is also the Transformer of life.
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