A Quote by W. S. Di Piero

When I think about what really matters, it's not looking at art that has made the most difference or has been most shaping of the poetry; it's simply living as completely in the world as a politically alert creature, as someone who is both stuck in and also trying to view the historical moment. Folded into all of that, of course, whatever you see in your life.
My life has been devoted to trying to bring a little more understanding to human sexuality - not just in society, but also inside myself. The struggle has been internal as well as external. One of the reasons that I have such tremendous satisfaction at this point in my life is because I know I've made a difference. I've made a difference in a way that really matters to me. I see a lot of terrible things going on in the world, but there are some good things going on too, and I feel I've been a part of that. I really do feel I have been on the side of the angels.
I want to be really clear about something: I think we kind of fetishize the creative life. We have the vision of what it means to be an author, where you sit in your garret or looking out at your view and you give everything to your art and you commit fully to it. But the reality is that most of us have bills to pay.
I think the thing that I got most from working with Frank Zappa is that I was able to see someone who completely independent. The most beautiful thing about Frank was that he was completely in the moment and present and eternally creative.
Like every parent, when you start your family, your life completely changes. And you completely live for someone else. I find that the most extraordinary thing. Your life is handed over to someone else. From that moment on, they come first in every choice you make. It's the most wonderful thing.
One of the most amazing things that can happen is finding someone who sees everything you are and won't let you be anything less. They see the potential of you. They see endless possibilities. And through their eyes, you start to see yourself the same way. As someone who matters. As someone who can make a difference in this world. If you're lucky enough to find this person, never let them go.
Cultural concepts are one of the most fascinating things about historical fiction. There's always a temptation, I think, among some historical writers to shade things toward the modern point of view. You know, they won't show someone doing something that would have been perfectly normal for the time but that is considered reprehensible today.
No method nor discipline can supersede the necessity of being forever on the alert. What is a course of history, or philosophy, or poetry, or the most admirable routine of life, compared with the discipline of looking always at what is to be seen? Will you be a reader, a student merely, or a seer?
I think that most art is asking a question or is looking for something, looking for answers and that is what life seems to be about for most people.
Someone told me something that stuck with me: 'You have to envision your life, and then go backwards.' I've been living by that motto for a while, so I see where I need to be. Now I'm just backtracking and trying to get back up there.
Someone told me something that stuck with me: "You have to envision your life, and then go backwards." I've been living by that motto for a while, so I see where I need to be. Now I'm just backtracking and trying to get back up there.
What I remember most from reporting both the stories are the women. Going into the first piece, I didn't have a super fixed idea about abortion. I'd helped a high school friend get to a doctor once. I always assumed that what a woman did was up to her. But I could also see the pro-life point of view that human life should be sacred in whatever gestational form.
The Vietnam War was so obviously evil and bore down most heavily upon working class youth that it made me think about things more deeply than I had before. It disillusioned me completely and forever about the government. And it made me aware that the media and the government lied almost as a matter of course. But it also opened my eyes to what was really going on in America.
Whatever your life's pursuit -- art, poetry, sculpture, music, whatever your occupation may be -- you can be as spiritual as clergy, always living a life of praise.
If people are given the opportunity to really make a difference in their own lives, their own communities, their own businesses and their own governments, then we can really transform the prospects of life on this planet. We can find ourselves living in a world that is more like the world that I think most of us want to be living in.
Politics, poverty, riches, etc - these are but backdrops for the grand cinema, the opera: the glory of your life. Sure, change the backdrops, make them better, but it is this inside-ness that matters most. Nothing else, at the last breath, matters, but your very own poetry. The glory of living.
People who are knowledgeable about poetry sometimes discuss it in that knowing, rather hateful way in which oenophiles talk about wine: robust, delicate, muscular. This has nothing to do with how most of us experience it, the heart coming around the corner and unexpectedly running into the mind. Of all the words that have stuck to the ribs of my soul, poetry has been the most filling.
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