A Quote by W. S. Merwin
Sitting over words
Very late I have heard a kind of whispered sighing
Not far
Like a night wind in pines or like the sea in the dark
The echo of everything that has ever
Been spoken
Still spinning its one syllable
Between the earth and silence.
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Night is purer than day; it is better for thinking and loving and dreaming. At night everything is more intense, more true. The echo of words that have been spoken during the day takes on a new and deeper meaning. The tragedy of man is that he doesn't know how to distinguish between day and night. He says things at night that should only be said by day.
Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" — Merely this, and nothing more
The silence of the forest is my bride and the sweet dark warmth of the whole world is my love, and out of the heart of that dark warmth comes the secret that is heard only in silence, but it is the root of all the secrets that are whispered by all the lovers in their beds all over the world.
To be a good storyteller one must be gloriously alive. It is not possible to kindle fresh fires from burned-out embers. I have noticed that the best of the traditional storytellers whom I have heard have been those who live close to the heart of things-to the earth, the sea, wind and weather. They have been those who knew solitude, silence. They have been given unbroken time in which to feel deeply, to reach constantly for understanding. They have come to know the power of the spoken word. These storytellers have been sailors and peasants, wanderers and fisherman.
Far over the Misty Mountains cold, To dungeons deep and caverns old, We must away, ere break of day, To seek our pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells, In places deep, where dark things sleep, In hollow halls beneath the fells. The pines were roaring on the heights, The wind was moaning in the night, The fire was red, it flaming spread, The trees like torches blazed with light.
My favorite song he ever wrote was 'Cold Cold Heart.' If you think about it, the lyric to 'Cold Cold Heart,' see how many two syllable words are in that song. Very, very few. ... Verses and the choruses have very few two syllable words. 'I tried so hard my dear to show that you're my everything.' One three-syllable word.
On the night you were born, the moon smiled with such wonder that the stars peeked in to see you and the night wind whispered, ‘Life will never be the same.’ Because there had never been anyone like you ever in the world.
For language to have meaning, there must be intervals of silence somewhere, to divide word from word and utterance from utterance. He who retires into silence does not necessarily hate language. Perhaps it is love and respect for language which imposes silence upon him. For the mercy of God is not heard in words unless it is heard, both before and after the words are spoken, in silence.
I think the hardest person to love is yourself
I mean-
You carry your flaws like burdens
And you feel them on your skin
The words you shouldn't have said
Still echo in your head
So you keep quiet
Your mistakes, like monsters
They haunt you
And you put them to sleep every night
The words you should've said
Still echo in your head
I bet you'd give yourself a chance
If you were someone else instead
Every time I look at it, It looks back at me I love the sea, its waters are blue And the sky is too And the sea is very dear to me If when I grow up and the sea is still there Then I’ll open my eyes and smell the fresh air Because the sea is very dear to me The sea is very calm and that’s why I like it there The sand is brand new and the wind blows in my hair And the sea is very dear to me.
It's more about when you come back from being out somewhere; in a minicab or a night bus, or with someone, or walking home across London late at night, dreamlike, and you've still got the music kind of echoing in you, in your bloodstream, but with real life trying to get in the way. I want it to be like a little sanctuary. It's like that 24-hour stand selling tea on a rainy night, glowing in the dark. It's pretty simple.
So the crew fly on with no thought that they are in motion. Like night over the sea, they are very far from the earth, from towns, from trees. The clock ticks on. The dials, the radio lamps, the various hands and needles go though their invisible alchemy. . . . and when the hour is at hand the pilot may glue his forehead to the window with perfect assurance. Out of oblivion the gold has been smelted: there it gleams in the lights of the airport.
It is enough for me by day To walk the same bright earth with him; Enough that over us by night The same great roof of stars is dim. I do not hope to bind the wind Or set a fetter on the sea -- It is enough to feel his love Blow by like music over me.
I grew up in Bulgaria in a small city on the Black Sea Coast, so I was very interested in the sea, marine life, and everything related to it. But it was also a very dark place at night, so I could see the stars. And I just got very interested in it.
I unplug the phone and close the door and just stick with it. I don't ever go out for lunch and I don't take vacations. I like to be awake when no one else is: either just before dawn in the morning or late, late at night. Silence helps.
The spoken discourse may roll on strongly as the great tidal wave; but, like the wave, it dies at last feebly on the sands. It is heard by few, remembered by still fewer, and fades away, like an echo in the mountains, leaving no token of power. It is the written human speech, that gave power and permanence to human thought.
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