A Quote by W. Somerset Maugham
In the country the darkness of night is friendly and familiar, but in a city, with its blaze of lights, it is unnatural, hostile and menacing. It is like a monstrous vulture that hovers, biding its time.
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In 'True Grit,' we had a vulture, a trained vulture... that was a pain and that was - even by vulture standards - probably a stupid vulture, and that was frustrating.
I like the fog that creeps over the whole city every night about five, and the warm protective feeling it gives...and lights of San Francisco at night, the fog horn, the bay at dusk and the little flower stands where spring flowers appear before anywhere else in the country...But, most of all, I like the view of the ocean from the Cliff House.
At night, what you see is a city, because all you see is lights. By day, it doesn't look like a city at all. The trees out-number the houses. And that's completely typical of Seattle. You can't quite tell: is it a city, is it a suburb, is the forest growing back?
Seattle is not an overly friendly city. It is a civil city, but not altogether friendly. People from outside mistake the civility for friendliness. Seattle is full of people who have their own lives to live. They won't waste their time being friendly. But they are civil.
I came from the country, and when I came to the city, I was ridin' high, you know. I was seeing more lights than I ever dreamed to shine in the world. 'Cos where I came from, there wasn't too many lights. Bugs made a lot of light, but after that there wasn't no lights.
I always view my music like a city at night, like Atlanta. I view my music in lights. So Far Gone would be my experiences in Toronto at night.
On the country has gathered the idea of a natural way of life: of peace, innocence, and simple virtue. On the city has gathered the idea of an achieved centre of learning, communication, light. Powerful hostile associations have also developed: on the city as a place of noise, worldliness and ambition; on the country as a place of backwardness, ignorance, limitation. A contrast between country and city, as fundamental ways of life, reaches back into classical times.
Basically what I'm trying to tell you is that it's almost impossible to drive a jet ski at night time unless you're in a city with lights lit up so you can navigate. Besides being pitch black, that water turn black at night. Listen, I don't recommend it.
There's a real difference between venture capitalism and vulture capitalism. Venture capitalism we like. Vulture capitalism, no. And the fact of the matter is that he's going to have to face up to this at some time or another, and South Carolina is as good a place to draw that line in the sand as any.
Night falls. Or has fallen. Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon, like a black sun behind cloud cover. Like smoke from an unseen fire, a line of fire just below the horizon, brushfire or a burning city. Maybe night falls because it’s heavy, a thick curtain pulled up over the eyes. Wool blanket.
I think the city isn't talked about enough, there are not enough people championing Birmingham. When I was at university in Manchester I wasn't a fan, I was a bit down on my home city. But as I've got older I love living here. It's easy to get around the country to gigs, and it's a calming, friendly city.
There was no moon but the night sky was a riot of crisp and glittering autumn stars. There were streetlights too and lights on buildings and on bridges which looked like earthbound stars and they glimmered repeated as they were reflected with the city in the night water of the Thames. It’s fairyland thought Richard.
Perhaps [transgression] is like a flash of lightning in the night which, from the beginning of time, gives a dense and black intensity to the night it denies, which lights up the night from the inside, from top to bottom, yet owes to the dark the stark clarity of its manifestation, its harrowing and poised singularity.
Fear the vulture, and the vulture will come. Fear nothing, and you are the vulture.
Fear the vulture and the vulture will come. Fear nothing and you are the vulture.
We take it for granted that we can see at all times of day and night. But there was a time, not all that long ago, in the age before electricity, when night brought total darkness - and with it, a not-so-small amount of terror. We get a sense of this when we go camping or when there's a power outage, and our fear of the darkness is primal.
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