A Quote by Wadada Leo Smith
I wanted to identify that the black experience is American experience.
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There is an imagined thing called black culture. But culture is a construction. It is learned behavior, not innate. The black American experience is the American experience.
'Empire' deals with the black experience, the human experience, sibling rivalry, what it feels like to be ignored or doted upon by a parent, illness, death. There are so many things that I think the audience can identify with.
I decided early on that I wanted to participate in the greater American experience, rather than the parochial one in Mississippi. But I have an urge as a writer to meld the Southern experience into the larger American one.
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
The black immigrant experience in the U.S. must be understood not in contrast to the African American experience but as an integral part of it.
I am very happy here [on Cuba], but I feel I have work to do in the United States. It's where I can identify with the total world struggle for socialism. But I think as a North American, as a Black North American, I have certain understandings - certain contributions - to make that are unique to the North Amerian experience.
There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.
To fully understand the black immigrant experience in the U.S., we must understand it not in contrast to the African-American experience, but central to it.
I write the black experience in America, and contained within that experience, because it is a human experience, are all the universalities.
My experience has to be funnelled through a black experience or a white experience, or it doesn't exist, because that's how we're going to deal with the world.
I identify as African American. I identify as Black. Black is something I share with other descendants of Africa, African-American is something I share with other Black descendants of America and both of those identities are of equal importance to me.
There is a problem in America. An Irish or Polish American can write a story and it's an American story. When a Black American writes a story, it's called a Black story. I take exception to that. Every artist has articulated to his own experience. The problem is that some people do not see Blacks as Americans.
My mother is black, from Grenada, so my blackness was always there, but It wasn't until I started hanging with the upperclassmen black actors at my high school that I really got my roots in being a black American, which is a distinctly different identity and experience.
While I might not have a specific experience that is fully American, there is still a knowledge, something that I logically understand as a black woman and a black woman who is existing in America and a black woman who is in the diaspora that are just known quantities that I think anyone can relate to who is black.
If we only identify with the mortal world, then we identify with a level of scarcity and lack and brokenness, and that will be our experience. But if we shift our experience of self-identification - and this is what enlightenment is - from the body-self to the spiritual-self, then we place ourselves under an entirely different set of possibilities and probabilities.
One thing that sticks in my mind is that jazz means freedom and openness. It's a music that, although it developed out of the African American experience, speaks more about the human experience than the experience of a particular people.
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