A Quote by Wade Barrett
I'm lucky that I have a deep, strong voice naturally, and the rest of it I just worked on as far as confidence and projecting myself.
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I've been so lucky - I worked with Jason Reitman twice, who has always been a really strong advocate for my voice, and has always really respected the scripts that I've brought him and is just the coolest.
I had a hole in my voice. It's an area in the voice where it's air. It's just - there's no - it's just very airy. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in that middle area, it was really hard. It was like a passage. And many singers go through this and work it out. But I realized in jazz, I could just take advantage of that and take advantage of having a voice that was very different in different areas.
I had a hole in my voice. I still do. We call it a hole, but it's an area in the voice where it's air. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in the middle area, it was really hard.
I met him while I was imprisoned," I say, and my voice sounds far away even to me. "I was just curious." "I wouldn't judge him too harshly," says Fernando. "Jeanine can be extraordinarily persuasive to those who aren't naturally suspicious. I have always been naturally suspicious." ... "Yeah," I say. "So have I.
I’m more comfortable with myself than when I was younger. I hated myself then. Wait, I didn’t hate myself – that’s a strong word. But I was so diffident. I didn’t know how to act, for one. I had no confidence in that area or in myself at all, really. I had a big inner critic and still do. I just don’t listen to it so much.
With voice acting it just matters what your voice can do. There are some things that I won't get over other people because my register isn't as deep as other people. So if someone wants a deep, dark, brooding villain voice then they are probably not going to pick me.
When I thought of writing for Rajini sir, I told myself it will be a really cool character with a very happy-go-lucky attitude. We took such a character and placed him in a strong story, and I believe, as a combination, it has worked wonders.
Writing with voice is writing into which someone has breathed. It has that fluency, rhythm, and liveliness that exist naturally in the speech of most people when they are enjoying a conversation...Writing with real voice has the power to make you pay attention and understand --the words go deep.
Sometimes I work upstairs projecting the movies, and the rest of the time I'm just selling tickets or popcorn.
I have immense confidence in myself. I consider myself lucky that I have had a slow journey and there have been ups and downs in it.
But then there are the van Goghs and Hemingways and Mozarts, those who feel a hunger so deep, so far down, that greatness lies there too, nestled somewhere within it. Those who get their inner voice and direction from the cool mysterious insides of the moon, and not from the earth like the rest of us.
I don't view Apple or myself as an activist. What we do is for some things where we think we have deep knowledge, or think we do, or a strong point of view, we're not shy. We'll stand up, speak out - even when our voice shakes.
As a viewer myself, I tend to gravitate toward projects that have a really strong voice of a strong creator.
I was very bad at projecting my voice. I used to do this Gumby Flower Arranging sketch which involved shouting, and I could never do it right, and at one point my voice went completely.
Art and activism seem to go together naturally, the idea being that if you're an entertainer, you can have a voice, and if you have a voice, you can make a difference. But if I were not an actress, I would still try to extend myself beyond my little micro-universe of my job, family and personal joy.
I've worked hard, but this business can be tough, and I just consider myself incredibly lucky to have had the career that I have, and to still be having so much fun playing drums and making music.
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