A Quote by Wade Guyton

I was really naïve. I had no idea artists made money. — © Wade Guyton
I was really naïve. I had no idea artists made money.
I had no idea what to expect moving to New York. It's embarrassing to say, but I didn't even realize that people bought contemporary art... that people actually paid for it... I know that's really dumb. I was really naive. I had no idea artists made money.
I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America.
I grew up in an artists' community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.
I grew up in an artists community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.
So when I made some money, I didn't have any idea how one handled such a situation because no one in our family ever had any money.
I'd never bought the idea that you don't lose money by underestimating the intelligence of the audience. Although perhaps I should add that I've never really made that much money.
When I first started out in Telugu cinema, I signed anything and everything that came my way. I was 18, was immature, and it felt like a good idea that 'Oh, they are paying me a good amount of money.' I was young, naive; I had zero ambition, and honestly, it wasn't my calling.
I have never made money selling records. I have never really made money touring, either, or with merchandise, surprisingly. But I do make money by just having my songs in the background of television shows or in commercials or movie trailers. That's been really good.
Now we know that, the way contracts are set up, it's not really made for artists to get rich from selling records - that's the company's one shot to make money.
A lot of artists are just really stupid about money, and it's really hard to find somebody who kind of thinks of shuffling money around and doing business as an art.
I don't know what they had against collabos. I have no idea, but I look back on it and a lot of Jive artists have really never collaborated with each other.
Artists don't compare themselves to each other based on money. Nobody really knows what money other artists have. They don't care that much. The measure is the work and how you think your work is perceived. How the museums are. How you are doing.
Recently I made the mistake of opening a bundle of reviews that someone had sent me of a production from years and years ago, and someone had written a really lovely review except that it made a remark about the way I spoke: 'A lot of people find her voice terribly irritating.' Do they? I had no idea.
If I had different parents who were in it for the money, I might have a different perspective. But they really are artists; they intelligently approach each character and prepare in every sense of the word. I grew up in a world that had great discipline.
There's really no money per se to be made on records. We used to make a lot of money on records. Now, all of our money is made on touring.
When I came into the film industry, I was so naive and confused and had no idea about how a heroine should work.
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