A Quote by Wagner Moura
If you want to see the real Pablo Escobar, go see a documentary.
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I change my phone number, and with my soul shrunken by terror, I make the decision never to see Pablo Escobar again in my life. Overnight, I have stopped loving him.
I want to see that 'Anita' documentary. I want to see 'Lovelace'; I want to see 'After Midnight,' because I saw the other two and I loved them. I thought the last one was great.
When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.
People want to see real skill level, real Jiu Jitsu, real boxing, put together and mixed up. They want to see mixed martial arts. They don't want to see five minutes of holding. I think there should be points deducted when you do that.
Pablo Escobar is one of the great stories of all time. It's a bizarre, dark version of success.
I argued constantly with my father [Pablo Escobar] because I never liked all the violence that he created.
I am not allowed to enter American territory simply because I was born the son of Pablo Escobar and apparently that implies that I inherit my father's crimes. Not that I want a visa now, I don't care anymore, I have been to the United States before.
Yeah I'm telling real stories, but if you pick up a documentary on strippers, you're going to want to see some stripping, so we definitely got that in there.
It's very difficult to resort to hating [Pablo Escobar] when all he gave you his entire life was love and all the best he ever had.
I had mixed feelings when the entire country was celebrating the death of Pablo Escobar and even Bill Clinton was congratulating the government.
One of the reasons a film about Pablo Escobar has never been made in the two-hour format is because there's too much information.
For every stone that [Pablo Escobar] threw, he would get many thrown back at him and us, his family, because we were the most vulnerable. In these types of extreme situations, we learned about the consequences of violence and that is why we did not go down the same path.
I would go to the office to visit my father [Pablo Escobar] and regardless of who he was meeting, he would drop everything to receive me in his office. In the series, the priorities that my father demonstrates are completely inverted and untrue.
It's important to learn from the past and people's experiences, not only from my father's [Pablo Escobar] as a drug dealer, but from others that have ended just the way he did.
I was perhaps one of the few people that were not part of [Pablo Escobar] group of yes-men because I was not a direct beneficiary of the violence that his actions generated.
You see a documentary, you want to see it on Aerosmith or Jon Bon Jovi or Kiss, a band that's been established and sold millions of records and done something notable.
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