A Quote by Wagner Moura
One of the things that I like about 'Narcos' is that not only Pablo but with all the characters - this is not a black and white show. This is not a regular American cop show where two cool cops go to save a country from a bad guy. All the characters are very complex.
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My show is not just a cop hosting a talk show - the two are completely different. My show is about helping people stand up to the bad guy.
The American horror movies are more moralistic, they have not only good characters, but characters where the ultimate danger is death. What I like about European cinema is they have another sense of what's good, what's bad, and sometimes all the characters are far more complex than just that. It's less binary, the Giallo genre.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
The way Disney characters move, they're very kind of slow and fluid and flowing; one pose kind of eases into the next. If you look at a show like 'The Simpsons' and subsequently a show like 'Family Guy' - the characters will jerk from pose to pose a lot, a bit more snappy. Which sort of goes along with the writing tone of the show.
If I write a cop show, it's not up to me to decide how different it is from 'Law & Order.' I had screenwriters go on and on and on about how their cop show isn't like any other cop show on TV. They made very good points, and it absolutely doesn't matter. It's entirely up to the audience to decide.
Creating a world that reflects the inner voyage of our characters was really important. Also, because this isn't a black and white show, and this isn't about bad guys and good guys, but it's about good men being capable of bad things and vice versa, I wanted to be in a city that had contradiction.
I think it gets really dangerous, though, to do it on the show. I think that the writers and producers are very much aware of that and the dangers of putting characters together and what that can mean for the show. You know, it's possible it could kill the thing that holds the show together, the chemistry, sexual tension between the two characters.
One of the things I'm concerned about is that I really want to make sure the races of all the characters are kept. I don't like it when black characters become white in movies, or things like that.
Even though 'Kroll' was a crazy sketch show with big characters, one of the things I'm proud of about the show is that the characters were always kind of coming from an emotionally honest place for whoever I thought that character was.
'Switched at Birth' has an amazing cast, including an Oscar winner and two Emmy nominees. The writing is very innovative, and the show's producers have redefined U.S. TV by launching a mainstream show which includes multiple deaf cast members whose characters communicate only in ASL (American Sign Language).
Playing a cop goes a long way. I have a lot of friends who are working as actors, and as soon as I started playing military characters or cops, and not the actual criminal that we're chasing on this show, they all said, 'You actually can have a career now.'
That's one of the cool things about being on a Marvel show: there's the possibility for all of these characters to collide.
One of the things I like best about the Halloween show is that I change outfits about six times in the show. It is a lot of fun to play the different characters.
As the lone black host at two different all-sports stations, black callers and listeners dominated my show. Black advertisers did not. The show was financially supported primarily by white businesses, and the largest demographic for listener growth was white males.
The most interesting thing to me is that 'The Walking Dead' is a show that reinvents itself every eight episodes. It's an evolving landscape. There are characters that die. There are characters that stay on. There are characters that go away. I love that.
'Longmire' is more of a show about the characters, and you couldn't pay a bigger compliment than to want to know more about my character, or the characters on the show.
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