A Quote by Waheeda Rehman

As an actor there is an urge to act only if something really interesting comes my way. — © Waheeda Rehman
As an actor there is an urge to act only if something really interesting comes my way.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
I'm such a dork, but I really think there are derivatives to be found between story arcs and character motivations. And the way you evaluate functions is a really interesting way to look at stories and the way you act. I really believe it.
To be an actress and act crazy is really fun for me, to be able to be acting like you'd never be able to act in your real life and scream and freak out. It's an interesting test for an actor.
My dream guests are really not so much celebrities. They're people who are actually interesting and they're doing something interesting with their lives or had an interesting experience in some way. I really enjoy talking to regular, everyday people.
If you're working in close-ups, then an actor is only able to act with his head. I like an actor to act with their entire body.
Yes. The way people behave, the paradoxes, the contradictions. All these things we have to live with and still pretend that everything is only black or white. That, I think, is the most interesting thing in human nature. The fact that we have to do one thing and pretend something else. That’s when it becomes very interesting. If you can literally speak the way you feel, then it’s not interesting anymore. It’s when you have to lie that it becomes interesting.
The human mind shows an urge to capture into fixed forms through unreal assumptions, that is, fictions, that which is chaotic, always in flux, and incomprehensible. Serving this urge, the child quite generally uses a scheme in order to act and to find his way. We proceed much the same when we divide the earth by meridians and parallels, for only thus do we obtain fixed points which we can bring into a relationship with one another.
I don't just act, and that's really important to me. I don't want to just be an actor forever. I want to score movies. I could be an actor first, but I don't only want to be an actor.
Expression is never considered a given, and it is in fact maybe not what's most interesting about making art. Making art, since 1960 or something, is many things: it's a way of doing philosophy, it's a way of opening a dialogue, it's a way of putting a fact or a question out into the world, or a way of drawing people into new relationships, or a way of interrogating history. It's all these other sorts of strategies or techniques or processes that are really interesting and really valuable.
My casting process was slightly different and slightly interesting insofar as I knew everybody could act. That's something you've seen. You know people can. You've seen them on the screen and you think either they're a good actor or a bad actor. So that's not the point. What I wanted to do was find people who I thought would have a similar comic sensibility.
There's something very interesting about the way each individual actor approaches stuff.
Actions are interesting to watch. I learn about the actors. Their movements are emblems of the tensions in this internal landscape, which their actions resolve. About-to-act is an interesting state to experience, because I am conscious of just those tensions. Acting itself feels fairly dull; it not only resolves, it obliterates those tensions from my consciousness. Acting is only interesting as it leads to new tensions that, irrelevantly, cause me to act again.
If you want to be a model, then you should probably become an actor. That's the only way to get hired to do the great advertising campaigns that are really interesting or the magazine covers, and it's hard to build a name for yourself as a model without those things.
Garry Shandling was an actor's actor. He really cares about the performance. It was really interesting to watch him talk about motives and motivation and stuff. He really knows the craft.
My job is that of an actor. As long as I get to act, get some interesting parts to play, get to be a part of interesting stories, I would certainly want to do it.
For me as an actor, you always sort of want to bring yourself to a character in some way. You want to find a way to approach something in a way that's real and interesting, and also so there's some empathy there.
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